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Today's Stichomancy for Bob Fosse

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Night and Day by Virginia Woolf:

Inn Fields; she had spent the whole of a committee meeting in thinking about sparrows and colors, until, almost at the end of the meeting, her old convictions had all come back to her. But they had only come back, she thought with scorn at her feebleness, because she wanted to use them to fight against Ralph. They weren't, rightly speaking, convictions at all. She could not see the world divided into separate compartments of good people and bad people, any more than she could believe so implicitly in the rightness of her own thought as to wish to bring the population of the British Isles into agreement with it. She looked at the lemon-colored leaflet, and thought almost enviously of the faith which could find comfort in the issue of such documents;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of the Far East by Percival Lowell:

creator of the world within. The separate senses furnish it with material, but to it alone is due the building of our castles, on premises of fact or in the air. For there is no impassable gulf between the two. Coleridge's distinction that imagination drew possible pictures and fancy impossible ones, is itself, except as a classification, an impossible distinction to draw; for it is only the inconceivable that can never be. All else is purely a matter of relation. We may instance dreams which are usually considered to rank among the most fanciful creations of the mind. Who has not in his dreams fallen repeatedly from giddy heights and invariably escaped unhurt? If he had attempted the feat in his waking moments

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fisherman's Luck by Henry van Dyke:

here I BE."

Another day he sits down on a mossy log beside a cold, trickling spring to eat his lunch. It has been a barren day for birds. Perhaps he has fallen into the fault of pursuing his sport too intensely, and tramped along the stream looking for nothing but fish. Perhaps this part of the grove has really been deserted by its feathered inhabitants, scared away by a prowling hawk or driven out by nest-hunters. But now, without notice, the luck changes. A surprise-party of redstarts breaks into full play around him. All through the dark-green shadow of the hemlocks they flash like little candles--CANDELITAS, the Cubans call them. Their brilliant markings

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Duchess of Padua by Oscar Wilde:

You must not weep: do we not love each other? - That is enough. Death, what do you here? You were not bidden to this table, sir; Away, we have no need of you: I tell you It was in wine I pledged you, not in poison. They lied who told you that I drank your poison. It was spilt upon the ground, like my Lord's blood; You came too late.

GUIDO

Sweet, there is nothing there: These things are only unreal shadows.