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Today's Stichomancy for Bob Fosse

The first excerpt represents the past or something you must release, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

and so they run nimbly along the narrowing channel until they tumble rustling down in a black cascade and tinkle on the resounding metal beneath. - I won't say that this rushing huckleberry hail-storm has not more music for me than the "Anvil Chorus."

- I wonder how my great trees are coming on this summer.

- Where are your great trees, Sir? - said the divinity-student.

Oh, all round about New England. I call all trees mine that I have put my wedding-ring on, and I have as many tree-wives as Brigham Young has human ones.

- One set's as green as the other, - exclaimed a boarder, who has


The Autocrat of the Breakfast-Table
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Blix by Frank Norris:

themselves in the velvet gray of the sky. Outlines were lost. Only the masses remained, and these soon began to blend into one another. The sky, and land, and the city's huddled roofs were one. Only the sheen of dull gold remained, piercing the single vast mass of purple like the blade of a golden sword. "There's a ship!" said Blix in a low tone. A four-master was dropping quietly through the Golden Gate, swimming on that sheen of gold, a mere shadow, specked with lights red and green. In a few moments her bows were shut from sight by

The third excerpt represents the future or something you must embrace, and is drawn from The Commission in Lunacy by Honore de Balzac:

characters are based on primitive ideas, on beliefs that may be called innate, on habits formed in infancy, and which have ceased to exist. To believe in pure blood, in a privileged race, to stand in thought above other men, must we not from birth have measured the distance which divides patricians from the mob? To command, must we not have never met our equal? And finally, must not education inculcate the ideas with which Nature inspires those great men on whose brow she has placed a crown before their mother has ever set a kiss there? These ideas, this education, are no longer possible in France, where for forty years past chance has arrogated the right of making noblemen by dipping them in the blood of battles, by gilding them with glory, by