| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Massimilla Doni by Honore de Balzac: --a valley as wide as the Avenue de Neuilly in Paris, but a hundred
fathoms deep and broken into ravines,--flows a torrent coming from
some tremendous height of the Saint-Gothard on the Simplon, which has
formed a pool, I know not how many yards deep or how many feet long
and wide, hemmed in by splintered cliffs of granite on which meadows
find a place, with fir-trees between them, and enormous elms, and
where violets also grow, and strawberries. Here and there stands a
chalet and at the window you may see the rosy face of a yellow-haired
Swiss girl. According to the moods of the sky the water in this tarn
is blue and green, but as a sapphire is blue, as an emerald is green.
Well, nothing in the world can give such an idea of depth, peace,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeneid by Virgil: Where yon disorder'd heap of ruin lies,
Stones rent from stones; where clouds of dust arise-
Amid that smother Neptune holds his place,
Below the wall's foundation drives his mace,
And heaves the building from the solid base.
Look where, in arms, imperial Juno stands
Full in the Scaean gate, with loud commands,
Urging on shore the tardy Grecian bands.
See! Pallas, of her snaky buckler proud,
Bestrides the tow'r, refulgent thro' the cloud:
See! Jove new courage to the foe supplies,
 Aeneid |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Research Magnificent by H. G. Wells: railway and get back to the world of our own times again."
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But before they reached the world of their own times Macedonia was
to show them something grimmer than Albania.
They were riding through a sunlit walnut wood beyond Ochrida when
they came upon the thing.
The first they saw of it looked like a man lying asleep on a grassy
bank. But he lay very still indeed, he did not look up, he did not
stir as they passed, the pose of his hand was stiff, and when Benham
glanced back at him, he stifled a little cry of horror. For this
man had no face and the flies had been busy upon him. . . .
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Idylls of the King by Alfred Tennyson: And Enid took a little delicately,
Less having stomach for it than desire
To close with her lord's pleasure; but Geraint
Ate all the mowers' victual unawares,
And when he found all empty, was amazed;
And 'Boy,' said he, 'I have eaten all, but take
A horse and arms for guerdon; choose the best.'
He, reddening in extremity of delight,
'My lord, you overpay me fifty-fold.'
'Ye will be all the wealthier,' cried the Prince.
'I take it as free gift, then,' said the boy,
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