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Today's Stichomancy for Bonnie Parker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The First Men In The Moon by H. G. Wells:

in which the mooncalves shelter during the night; and there are abattoirs and the like - in one of these it was that I and Bedford fought with the Selenite butchers - and I have since seen balloons laden with meat descending out of the upper dark. I have as yet scarcely learnt as much of these things as a Zulu in London would learn about the British corn supplies in the same time. It is clear, however, that these vertical shafts and the vegetation of the surface must play an essential role in ventilating and keeping fresh the atmosphere of the moon. At one time, and particularly on my first emergence from my prison, there was certainly a cold wind blowing down the shaft, and later there was a kind of sirocco upward that corresponded with my fever. For at the end of about three

The First Men In The Moon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Marie by H. Rider Haggard:

wish to know I will tell you how we escaped and why."

The commandant made a further note, then he said:

"Let the witness Hernan Pereira be called and sworn."

This was done and he was ordered to tell his tale.

As may be imagined, it was a long tale, and one that had evidently been prepared with great care. I will only set down its blackest falsehoods. He assured the court that he had no enmity against me and had never attempted to kill me or do me any harm, although it was true that his heart felt sore because, against her father's will, I had stolen away the affection of his betrothed, who was now my wife. He said that he had stopped in Zululand because he knew that I should marry her as soon

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Facino Cane by Honore de Balzac:

Even then observation had come to be an instinct with me; a faculty of penetrating to the soul without neglecting the body; or rather, a power of grasping external details so thoroughly that they never detained me for a moment, and at once I passed beyond and through them. I could enter into the life of the human creatures whom I watched, just as the dervish in the /Arabian Nights/ could pass into any soul or body after pronouncing a certain formula.

If I met a working man and his wife in the streets between eleven o'clock and midnight on their way home from the Ambigu Comique, I used to amuse myself by following them from the Boulevard du Pont aux Choux to the Boulevard Beaumarchais. The good folk would begin by talking

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Commission in Lunacy by Honore de Balzac:

work. Magistrates, attorneys, pleaders, all who pasture on the legal common, distinguish two elements in every case--law and equity. Equity is the outcome of facts, law is the application of principles to facts. A man may be right in equity but wrong in law, without any blame to the judge. Between his conscience and the facts there is a whole gulf of determining reasons unknown to the judge, but which condemn or legitimatize the act. A judge is not God; the duty is to adapt facts to principles, to judge cases of infinite variety while measuring them by a fixed standard.

France employs about six thousand judges; no generation has six thousand great men at her command, much less can she find them in the