Today's Stichomancy for Bonnie Parker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Off on a Comet by Jules Verne:

It was distant yet, but the goal was cheeringly in view.

"I can't believe that yonder little speck of light contains my mountain of Montmartre," said Ben Zoof, one night, after he had been gazing long and steadily at the far-off world.

"You will, I hope, some day find out that it does," answered his master.

"I hope so," said the orderly, without moving his eye from the distant sphere. After meditating a while, he spoke again. "I suppose Professor Rosette couldn't make his comet go straight back, could he?"

"Hush!" cried Servadac.

Ben Zoof understood the correction.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Augsburg Confession by Philip Melanchthon:

they depart from the Holy Scriptures and diminish the glory of the passion of Christ. For Christ's passion was an oblation and satisfaction, not for original guilt only, but also for all other sins, as it is written to the Hebrews, 10, 10: We are sanctified through the offering of Jesus Christ once for all. Also, 10, 14: By one offering He hath perfected forever them that are sanctified. [It is an unheard-of innovation in the Church to teach that Christ by His death made satisfaction only for original sin and not likewise for all other sin. Accordingly it is hoped that everybody will understand that this error has not been reproved without due reason.]

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Off on a Comet by Jules Verne:

the pieces on the board which had been disturbed by the convulsion, any surprise they might have felt at the chess-men losing some portion of their weight was quite forgotten in the satisfaction of seeing them retain their equilibrium.

One phenomenon, however, did not fail to make its due impression upon the men; this was the diminution in the length of day and night. Three days after the catastrophe, Corporal Pim, on behalf of himself and his comrades, solicited a formal interview with the officers. The request having been granted, Pim, with the nine soldiers, all punctiliously wearing the regimental tunic of scarlet and trousers of invisible green, presented themselves at the door of the colonel's room,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dunwich Horror by H. P. Lovecraft:

one of those subtlest and most ingenious of cryptograms, in which many separate lists of corresponding letters are arranged like the multiplication table, and the message built up with arbitrary key-words known only to the initiated. The older authorities seemed rather more helpful than the newer ones, and Armitage concluded that the code of the manuscript was one of great antiquity, no doubt handed down through a long line of mystical experimenters. Several times he seemed near daylight, only to be set back by some unforeseen obstacle. Then, as September approached, the clouds began to clear. Certain letters, as used in certain parts of the manuscript, emerged definitely and unmistakably; and it became

The Dunwich Horror