|The first excerpt represents the past or something you must release, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:
and Werper walked quickly from the tent.
Very shortly he returned with an extra revolver and
ammunition belt strapped about his waist.
"Are you ready?" he asked.
"Quite ready," replied the girl.
"Then come and throw yourself limply across my left
shoulder," and Werper knelt to receive her.
"There," he said, as he rose to his feet. "Now, let
your arms, your legs and your head hang limply.
Remember that you are dead."
A moment later the man walked out into the camp, the
Tarzan and the Jewels of Opar
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:
the boy dared not take him fully into his confidence for
fear that the old fellow would not only refuse to aid him, but
would report the whole affair to his father. Instead, he simply
asked permission to take Ajax to Dover. He explained that it
would relieve the old man of a tiresome journey, as well as
placing a number of pounds in his pocket, for the lad purposed
paying the Russian well.
"You see," he went on, "there will be no danger of detection
since I am supposed to be leaving on an afternoon train for school.
Instead I will come here after they have left me on board
the train. Then I can take Ajax to Dover, you see, and arrive at
The Son of Tarzan
|The third excerpt represents the future or something you must embrace, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:
stuck into it. The panel, if such it was, seemed about an
inch thick, and beyond it his finger encountered nothing.
Bradley crooked his finger upon the opposite side of the panel
and pulled toward him, steadily but with considerable force.
Suddenly the panel flew inward, nearly precipitating the man to
the floor. It was hinged at the bottom, and when lowered the
outer edge rested upon the perch, making a little platform
parallel with the floor of the room.
Beyond the opening was an utterly dark void. The Englishman
leaned through it and reached his arm as far as possible into the
blackness but touched nothing. Then he fumbled in his haversack
Out of Time's Abyss