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Today's Stichomancy for Brad Pitt

The first excerpt represents the past or something you must release, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

and Werper walked quickly from the tent.

Very shortly he returned with an extra revolver and ammunition belt strapped about his waist.

"Are you ready?" he asked.

"Quite ready," replied the girl.

"Then come and throw yourself limply across my left shoulder," and Werper knelt to receive her.

"There," he said, as he rose to his feet. "Now, let your arms, your legs and your head hang limply. Remember that you are dead."

A moment later the man walked out into the camp, the


Tarzan and the Jewels of Opar
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

the boy dared not take him fully into his confidence for fear that the old fellow would not only refuse to aid him, but would report the whole affair to his father. Instead, he simply asked permission to take Ajax to Dover. He explained that it would relieve the old man of a tiresome journey, as well as placing a number of pounds in his pocket, for the lad purposed paying the Russian well.

"You see," he went on, "there will be no danger of detection since I am supposed to be leaving on an afternoon train for school. Instead I will come here after they have left me on board the train. Then I can take Ajax to Dover, you see, and arrive at


The Son of Tarzan
The third excerpt represents the future or something you must embrace, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

stuck into it. The panel, if such it was, seemed about an inch thick, and beyond it his finger encountered nothing. Bradley crooked his finger upon the opposite side of the panel and pulled toward him, steadily but with considerable force. Suddenly the panel flew inward, nearly precipitating the man to the floor. It was hinged at the bottom, and when lowered the outer edge rested upon the perch, making a little platform parallel with the floor of the room.

Beyond the opening was an utterly dark void. The Englishman leaned through it and reached his arm as far as possible into the blackness but touched nothing. Then he fumbled in his haversack


Out of Time's Abyss