| The first excerpt represents the past or something you must release, and is drawn from King Henry VI by William Shakespeare: That to my foes this body must be prey,
Yet that thy brazen gates of heaven may ope,
And give sweet passage to my sinful soul.--
Now, lords, take leave until we meet again,
Where'er it be, in heaven or in earth.
RICHARD.
Brother, give me thy hand;--and, gentle Warwick,
Let me embrace thee in my weary arms.
I, that did never weep, now melt with woe,
That winter should cut off our spring-time so.
WARWICK.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from La Grande Breteche by Honore de Balzac: linen thread. She was sitting up in bed, and seemed to keep upright
with great difficulty. Her large black eyes, dimmed by fever, no
doubt, and half-dead already, hardly moved under the bony arch of her
eyebrows.--There,' he added, pointing to his own brow. 'Her forehead
was clammy; her fleshless hands were like bones covered with soft
skin; the veins and muscles were perfectly visible. She must have been
very handsome; but at this moment I was startled into an indescribable
emotion at the sight. Never, said those who wrapped her in her shroud,
had any living creature been so emaciated and lived. In short, it was
awful to behold! Sickness so consumed that woman, that she was no more
than a phantom. Her lips, which were pale violet, seemed to me not to
 La Grande Breteche |
The third excerpt represents the future or something you must embrace, and is drawn from Emma McChesney & Co. by Edna Ferber: soul.
"Miss it, don't you?" said Hortense.
"Yes; don't you?"
"Do I! Say----" She turned and indicated the women surging up
and down the store aisles, and her glance and gesture were
replete with contempt. "Say; look at 'em! Wandering around
here, aimless as a lot of chickens in a barnyard. Half of 'em
are here because they haven't got anything else to do. Think of
it! I've watched 'em lots of times. They go pawing over silks
and laces and trimmings just for the pleasure of feeling 'em.
They stand in front of a glass case with a figure in it all
 Emma McChesney & Co. |