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Today's Stichomancy for Britney Spears

The first excerpt represents the past or something you must release, and is drawn from Ann Veronica by H. G. Wells:

It was as if her aesthetic sense had become inflamed. Her mind turned and accused itself of having been cold and hard. She began to look for beauty and discover it in unexpected aspects and places. Hitherto she had seen it chiefly in pictures and other works of art, incidentally, and as a thing taken out of life. Now the sense of beauty was spreading to a multitude of hitherto unsuspected aspects of the world about her.

The thought of beauty became an obsession. It interwove with her biological work. She found herself asking more and more curiously, "Why, on the principle of the survival of the fittest, have I any sense of beauty at all?" That enabled her to go on

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Miracle Mongers and Their Methods by Harry Houdini:

already had several narrow escapes.

On one occasion, while sword-swallowing before a Boston audience, a sword pierced a vein in her throat. The blade was half-way down, but instead of immediately drawing it forth, she thrust it farther. She was laid up in a hospital for three months after this performance.

In Chicago she had a still narrower escape. One day while performing at a museum on Clark Street, Victorina passed


Miracle Mongers and Their Methods
The third excerpt represents the future or something you must embrace, and is drawn from Hamlet by William Shakespeare:

My Lord, with all the vowes of Heauen

Polon. I, Springes to catch Woodcocks. I doe know When the Bloud burnes, how Prodigall the Soule Giues the tongue vowes: these blazes, Daughter, Giuing more light then heate; extinct in both, Euen in their promise, as it is a making; You must not take for fire. For this time Daughter, Be somewhat scanter of your Maiden presence; Set your entreatments at a higher rate, Then a command to parley. For Lord Hamlet, Beleeue so much in him, that he is young,


Hamlet