| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart: There was only time for a glance of understanding between them,
of promise from Peter, of acceptance from the girl. When Anna
Gates entered the kitchen she found Harmony peeling potatoes and
Peter filling up an already overfed stove.
That night, during that darkest hour before the dawn when the
thrifty city fathers of the old town had shut off the street
lights because two hours later the sun would rise and furnish
light that cost the taxpayers nothing, the Portier's wife
awakened.
The room was very silent, too silent. On those rare occasions
when the Portier's wife awakened in the night and heard the twin
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Gift of the Magi by O. Henry: and receive gifts, such as they are wisest. Everywhere they
are wisest. They are the magi.
End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.
 The Gift of the Magi |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Purse by Honore de Balzac: And, in after years, a day, an hour repaid her amply for the long
and weary sacrifices of her indigence.
At the last exhibition her son had received the Cross of the
Legion of Honor. The newspapers, unanimous in hailing an unknown
genius, still rang with sincere praises. Artists themselves
acknowledged Schinner as a master, and dealers covered his
canvases with gold pieces. At five-and-twenty Hippolyte Schinner,
to whom his mother had transmitted her woman's soul, understood
more clearly than ever his position in the world. Anxious to
restore to his mother the pleasures of which society had so long
robbed her, he lived for her, hoping by the aid of fame and
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Little Women by Louisa May Alcott: for him. If you always spent money in that way, no one would blame
you," said Jo warmly.
"Oh, he made a mountain out of a molehill. You wouldn't have me
let that fine fellow work himself to death just for want of a little
help, when he is worth a dozen of us lazy chaps, would you?"
"Of course not, but I don't see the use of your having seventeen
waistcoats, endless neckties, and a new hat every time you come home.
I thought you'd got over the dandy period, but every now and then it
breaks out in a new spot. Just now it's the fashion to be hideous,
to make your head look like a scrubbing brush, wear a strait jacket,
orange gloves, and clumping square-toed boots. If it was cheap
 Little Women |