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Today's Stichomancy for Bruce Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Gift of the Magi by O. Henry:

are wisest. They are the magi.

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.


The Gift of the Magi
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pericles by William Shakespeare:

Dionyza, at the other. Cleon shows Pericles the tomb; whereat Pericles makes lamentation, puts on sackcloth, and in a mighty passion departs. Then exeunt Cleon and Dionyza.]

See how belief may suffer by foul show; This borrow'd passion stands for true old woe; And Pericles, in sorrow all devour'd, With sighs shot through; and biggest tears o'ershower'd, Leaves Tarsus and again embarks. He swears Never to wash his face, nor cut his hairs: He puts on sackcloth, and to sea. He bears A tempest, which his mortal vessel tears,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Statesman by Plato:

wild. We forgot this in our hurry to arrive at man, and found by experience, as the proverb says, that 'the more haste the worse speed.'

And now let us begin again at the art of managing herds. You have probably heard of the fish-preserves in the Nile and in the ponds of the Great King, and of the nurseries of geese and cranes in Thessaly. These suggest a new division into the rearing or management of land-herds and of water-herds:-- I need not say with which the king is concerned. And land-herds may be divided into walking and flying; and every idiot knows that the political animal is a pedestrian. At this point we may take a longer or a shorter road, and as we are already near the end, I see no harm in taking the longer, which is the way of mesotomy, and accords with the principle which


Statesman
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twilight Land by Howard Pyle:

world spun topsy-turvy around him.

His way led along by the river, and on he went stumbling and staggering. All of a sudden--plump! splash!--he was in the water over head and ears. Up he came, spitting out the water and shouting for help, splashing and sputtering, and kicking and swimming, knowing no more where he was than the man in the moon. Sometimes his head was under water and sometimes it was up again.

At last, just as his strength was failing him, his feet struck the bottom, and he crawled up on the shore more dead than alive. Then, through fear and cold and wet, he swooned away, and lay for a long time for all the world as though he were dead.