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Today's Stichomancy for Bruce Lee

The first excerpt represents the past or something you must release, and is drawn from To-morrow by Joseph Conrad:

well off. It was not for the gold they cared; it was the wandering about looking for it in the stony country that got into them and wouldn't let them rest; so that no woman yet born could hold a Gam- bucino for more than a week. That's what the song says. It's all about a pretty girl that tried hard to keep hold of a Gambucino lover, so that he should bring her lots of gold. No fear! Off he went, and she never saw him again."

"What became of her?" she breathed out.

"The song don't tell. Cried a bit, I daresay.


To-morrow
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

that this man, who is known to the police throughout Austria and far beyond the borders of our kingdom, should have chanced to be in Budapest and free to come to us when we called. You and I" - he turned with a smile to the local magistrate - "you and I can get away with the usual cases of local brutality hereabouts. But the cunning that is at the bottom of these crimes is one too many for us."

The men had taken their places around the great dining-table. The old housekeeper had crept out again, her terror making her forget her usual hospitality. And indeed it would not have occurred to the guests to ask or even to wish for any refreshment. The maid brought

The third excerpt represents the future or something you must embrace, and is drawn from The Age of Innocence by Edith Wharton:

reforming weeklies that were trying to shake the country out of its apathy. It was little enough to look back on; but when he remembered to what the young men of his generation and his set had looked forward--the narrow groove of money-making, sport and society to which their vision had been limited--even his small contribution to the new state of things seemed to count, as each brick counts in a well-built wall. He had done little in public life; he would always be by nature a contemplative and a dilettante; but he had had high things to contemplate, great things to delight in; and