The first excerpt represents the past or something you must release, and is drawn from To-morrow by Joseph Conrad: well off. It was not for the gold they cared; it was
the wandering about looking for it in the stony
country that got into them and wouldn't let them
rest; so that no woman yet born could hold a Gam-
bucino for more than a week. That's what the
song says. It's all about a pretty girl that tried
hard to keep hold of a Gambucino lover, so that he
should bring her lots of gold. No fear! Off he
went, and she never saw him again."
"What became of her?" she breathed out.
"The song don't tell. Cried a bit, I daresay.
 To-morrow |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner: that this man, who is known to the police throughout Austria and far
beyond the borders of our kingdom, should have chanced to be in
Budapest and free to come to us when we called. You and I" - he
turned with a smile to the local magistrate - "you and I can get
away with the usual cases of local brutality hereabouts. But the
cunning that is at the bottom of these crimes is one too many for
us."
The men had taken their places around the great dining-table. The
old housekeeper had crept out again, her terror making her forget
her usual hospitality. And indeed it would not have occurred to the
guests to ask or even to wish for any refreshment. The maid brought
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The third excerpt represents the future or something you must embrace, and is drawn from The Age of Innocence by Edith Wharton: reforming weeklies that were trying to shake the country
out of its apathy. It was little enough to look back on;
but when he remembered to what the young men of his
generation and his set had looked forward--the narrow
groove of money-making, sport and society to
which their vision had been limited--even his small
contribution to the new state of things seemed to count,
as each brick counts in a well-built wall. He had done
little in public life; he would always be by nature a
contemplative and a dilettante; but he had had high
things to contemplate, great things to delight in; and
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