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Today's Stichomancy for Butch Cassidy

The first excerpt represents the past or something you must release, and is drawn from The Golden Threshold by Sarojini Naidu:

in too frail a body, it was rarely that her desire was fully granted. But in Italy she found what she could not find in England, and from Italy her letters are radiant. "This Italy is made of gold," she writes from Florence, "the gold of dawn and daylight, the gold of the stars, and, now dancing in weird enchanting rhythms through this magic month of May, the gold of fireflies in the perfumed darkness--'aerial gold.' I long to catch the subtle music of their fairy dances and make a poem with a rhythm like the quick irregular wild flash of their sudden movements. Would it not be wonderful? One black night I stood in a garden with fireflies in my hair like darting restless stars

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Peter Pan by James M. Barrie:

of Peter or Tink as because the island was looking for them. It is only thus that any one may sight those magic shores.

"There it is," said Peter calmly.

"Where, where?"

"Where all the arrows are pointing."

Indeed a million golden arrows were pointing it out to the children, all directed by their friend the sun, who wanted them to be sure of their way before leaving them for the night.

Wendy and John and Michael stood on tip-toe in the air to get their first sight of the island. Strange to say, they all recognized it at once, and until fear fell upon them they hailed


Peter Pan
The third excerpt represents the future or something you must embrace, and is drawn from The Age of Innocence by Edith Wharton:

them!" he felt like retorting; but the appeal in her eyes kept him silent.

"I want," she went on, "to be perfectly honest with you--and with myself. For a long time I've hoped this chance would come: that I might tell you how you've helped me, what you've made of me--"

Archer sat staring beneath frowning brows. He interrupted her with a laugh. "And what do you make out that you've made of me?"

She paled a little. "Of you?"

"Yes: for I'm of your making much more than you