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Today's Stichomancy for Calista Flockhart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tao Teh King by Lao-tze:

(and thereby invites the feller.)

4. Therefore the place of what is firm and strong is below, and that of what is soft and weak is above.

77. 1. May not the Way (or Tao) of Heaven be compared to the (method of) bending a bow? The (part of the bow) which was high is brought low, and what was low is raised up. (So Heaven) diminishes where there is superabundance, and supplements where there is deficiency.

2. It is the Way of Heaven to diminish superabundance, and to supplement deficiency. It is not so with the way of man. He takes away from those who have not enough to add to his own superabundance.

3. Who can take his own superabundance and therewith serve all under

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Republic by Plato:

world below are to be dispelled; the misbehaviour of the Homeric heroes is not to be a model for youth. But there is another strain heard in Homer which may teach our youth endurance; and something may be learnt in medicine from the simple practice of the Homeric age. The principles on which religion is to be based are two only: first, that God is true; secondly, that he is good. Modern and Christian writers have often fallen short of these; they can hardly be said to have gone beyond them.

The young are to be brought up in happy surroundings, out of the way of sights or sounds which may hurt the character or vitiate the taste. They are to live in an atmosphere of health; the breeze is always to be wafting to them the impressions of truth and goodness. Could such an education be


The Republic
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Salammbo by Gustave Flaubert:

feathers after its little black hoofs. The clamours of the distant town were lost in the murmuring of the waves. The sky was quite blue, and not a sail was visible on the sea.

Narr' Havas had ceased speaking; Salammbo was looking at him without replying. He wore a linen robe with flowers painted on it, and with gold fringes at the hem; two silver arrows fastened his plaited hair at the tips of his ears; his right hand rested on a pike-staff adorned with circles of electrum and tufts of hair.

As she watched him a crowd of dim thoughts absorbed her. This young man, with his gentle voice and feminine figure, captivated her eyes by the grace of his person, and seemed to her like an elder sister sent


Salammbo
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

Colonial mansion, overlooking the bay. The lawn started at the beach and ran toward the front door for a quarter of a mile, jumping over sun-dials and brick walks and burning gardens--finally when it reached the house drifting up the side in bright vines as though from the momentum of its run. The front was broken by a line of French windows, glowing now with reflected gold and wide open to the warm windy afternoon, and Tom Buchanan in riding clothes was standing with his legs apart on the front porch.

He had changed since his New Haven years. Now he was a sturdy straw-haired man of thirty with a rather hard mouth and a supercilious manner. Two shining arrogant eyes had established dominance over his face and


The Great Gatsby