| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Aunt Margaret's Mirror by Walter Scott: in a small vestibule, illuminated by a dim lamp, and having, when
the door was closed, no communication with the external light or
air. The door of an inner apartment, partly open, was at the
farther side of the vestibule.
"We must not hesitate now, Jemima," said Lady Bothwell, and
walked forwards into the inner room, where, surrounded by books,
maps, philosophical utensils, and other implements of peculiar
shape and appearance, they found the man of art.
There was nothing very peculiar in the Italian's appearance. He
had the dark complexion and marked features of his country,
seemed about fifty years old, and was handsomely but plainly
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac: economize; for Harpagon is a mere novice compared to them. The
princess still retained some of her past relations with the exiled
royal family; and it was in her house that the marshal to whom we owe
the conquest of Africa had conferences, at the time of "Madame's"
attempt in La Vendee, with the principal leaders of legitimist
opinion,--so great was the obscurity in which the princess lived, and
so little distrust did the government feel for her in her present
distress.
Beholding the approach of that terrible fortieth year, the bankruptcy
of love, beyond which there is so little for a woman as woman, the
princess had flung herself into the kingdom of philosophy. She took to
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Gift of the Magi by O. Henry: and receive gifts, such as they are wisest. Everywhere they
are wisest. They are the magi.
End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.
The Gift of the Magi |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beauty and The Beast by Bayard Taylor: nature of the young man was directed towards a definite object.
The elements out of which he was made, although somewhat diluted,
were active enough to make him uncomfortable, so long as they
remained in a confused state. He had very little power of
introversion, but he was sensible that his temperament was
changing,--that he grew more cheerful and contented with life,--
that a chasm somewhere was filling up,--just in proportion as
his acquaintance with the old music-master and his daughter became
more familiar. His visits were made so brief, were so adroitly
timed and accounted for by circumstances, that by the close of Lent
he could feel justified in making the Easter call of a friend, and
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