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Today's Stichomancy for Cameron Diaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memories and Portraits by Robert Louis Stevenson:

days of the hero strike the only note of what we now call Byronism, between the Elizabethans and Byron himself. And yet a little story of a shipwrecked sailor, with not a tenth part of the style nor a thousandth part of the wisdom, exploring none of the arcana of humanity and deprived of the perennial interest of love, goes on from edition to edition, ever young, while CLARISSA lies upon the shelves unread. A friend of mine, a Welsh blacksmith, was twenty- five years old and could neither read nor write, when he heard a chapter of ROBINSON read aloud in a farm kitchen. Up to that moment he had sat content, huddled in his ignorance, but he left that farm another man. There were day-dreams, it appeared, divine

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Riverman by Stewart Edward White:

and powerful energy for which optimism is another name. He saw stretching before him a long life of endeavour, the sort of endeavour he enjoyed, exulted in; and in it he would be untrammelled and alone. The idea appealed to him. Suddenly he was impatient for the morrow that he might begin.

He turned out of the side street. His own house lay before him, dark save for the gas jet in the hallway and the single lamp in the library. A harmony of softly touched chords breathed out through the open window. He stopped; then stole forward softly until he stood looking in through the doorway.

Carroll sat leaning against the golden harp, her shining head with

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Footnote to History by Robert Louis Stevenson:

pretexts of offence. On the evening of the Emperor's birthday, March 22nd, 1887, certain Germans were congregated in a public bar. The season and the place considered, it is scarce cynical to assume they had been drinking; nor, so much being granted, can it be thought exorbitant to suppose them possibly in fault for the squabble that took place. A squabble, I say; but I am willing to call it a riot. And this was the new fault of Laupepa; this it is that was described by a German commodore as "the trampling upon by Malietoa of the German Emperor." I pass the rhetoric by to examine the point of liability. Four natives were brought to trial for this horrid fact: not before a native judge, but before the German

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dream Life and Real Life by Olive Schreiner:

close to the ground, but when you turn them up and look at them they are deep blue eyes looking into yours! She took them with a little earth, and put them in the crevices between the rocks; and so the room was quite furnished. Afterwards she went down to the river and brought her arms full of willow, and made a lovely bed; and, because the weather was very hot, she lay down to rest upon it.

She went to sleep soon, and slept long, for she was very weak. Late in the afternoon she was awakened by a few cold drops falling on her face. She sat up. A great and fierce thunderstorm had been raging, and a few of the cool drops had fallen through the crevice in the rocks. She pushed the asparagus branch aside, and looked out, with her little hands folded about