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Today's Stichomancy for Cameron Diaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

and the virtuous workman, and his unnatural contact with the dishonest and the foul. I know well the nobleness which exists in the average of that class, in men and in wives--their stern uncomplaining, valorous self-denial; and nothing more stirs my pity than to see them struggling to bring up a family in a moral and physical atmosphere where right education is impossible. We lavish sympathy enough upon the criminal; for God's sake let us keep a little of it for the honest man. We spend thousands in carrying out the separation of classes in prison; for God's sake let us try to separate them a little before they go to prison. We are afraid of the dangerous classes; for God's sake let us bestir

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Nada the Lily by H. Rider Haggard:

king! It is indeed sacrilege to touch a true Isanusi, but what if the Isanusi be a liar? What if he smell out falsely, bringing those to death who are innocent of evil? Is it then sacrilege to bring him to that end which he has given to many another? Say, O king!"

"Good words!" answered Chaka. "Now tell me, son of Makedama, how may this matter be put to proof?"

Then I leaned forward, whispering into the ear of the Black One, and he nodded heavily.

Thus I spoke then, because I, too, saw the evil of the Isanusis, I who knew their secrets. Also, I feared for my own life and for the lives of all those who were dear to me. For they hated me as one instructed


Nada the Lily
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Golden Threshold by Sarojini Naidu:

Till ye have battled with great grief and fears, And borne the conflict of dream-shattering years, Wounded with fierce desire and worn with strife, Children, ye have not lived: for this is life.

THE POET'S LOVE-SONG

In noon-tide hours, O Love, secure and strong, I need thee not; mad dreams are mine to bind The world to my desire, and hold the wind A voiceless captive to my conquering song. I need thee not, I am content with these: Keep silence in thy soul, beyond the seas!

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

returned to camp. Here I gathered a great quantity of wood from fallen trees, Ajor helping me; but before I built a fire, I also gathered sufficient loose rock to build my barricade against the frightful terrors of the night to come.

I shall never forget the expression upon Ajor's face as she saw me strike a match and light the kindling beneath our camp-fire. It was such an expression as might transform a mortal face with awe as its owner beheld the mysterious workings of divinity. It was evident that Ajor was quite unfamiliar with modern methods of fire-making. She had thought my rifle and pistol wonderful; but these tiny slivers of wood which from a magic


The People That Time Forgot