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Today's Stichomancy for Cameron Diaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of War by Sun Tzu:

at all, unless, indeed, we suppose with Cheng Yu-hsien that a clause relating to it has fallen out of the text. Of course, as has already been pointed out, the two are so inextricably interwoven in all military operations, that they cannot really be considered apart. Here we simply have an expression, in figurative language, of the almost infinite resource of a great leader.]

7. There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard. 8. There are not more than five primary colors (blue,


The Art of War
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Psychology of Revolution by Gustave le Bon:

category of thinkers.

2. Natural Inequalities and Democratic Equalisation.

The difficulty of reconciling democratic equalisation with natural inequalities constitutes one of the most difficult problems of the present hour. We know what are the desires of democracy. Let us see what Nature replies to these demands.

The democratic ideas which have so often shaken the world from the heroic ages of Greece to modern times are always clashing with natural inequalities. Some observers have held, with Helvetius, that the inequality between men is created by education.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle Book by Rudyard Kipling:

"Only one way," said the two together. (They must have been twins.) "This is that way. To put all twenty yoke of us to the big gun as soon as Two Tails trumpets." ("Two Tails" is camp slang for the elephant.)

"What does Two Tails trumpet for?" said the young mule.

"To show that he is not going any nearer to the smoke on the other side. Two Tails is a great coward. Then we tug the big gun all together--Heya--Hullah! Heeyah! Hullah! We do not climb like cats nor run like calves. We go across the level plain, twenty yoke of us, till we are unyoked again, and we graze while the big guns talk across the plain to some town with mud walls,


The Jungle Book
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

and crated; some very like these semi-humans, some not so similar, and some not similar at all. And he wondered if any of the poor stout black men of Parg were left to be unloaded and crated and shipped inland in those obnoxious drays. When the galley landed at a greasy-looking quay of spongy rock a nightmare horde of toad-things wiggled out of the hatches, and two of them seized Carter and dragged him ashore. The smell and aspect of that city are beyond telling, and Carter held only scattered images of the tiled streets and black doorways and endless precipices of grey vertical walls without windows. At length he was dragged within a low doorway


The Dream-Quest of Unknown Kadath