| The first excerpt represents the past or something you must release, and is drawn from Love Songs by Sara Teasdale: But oh, the woman over the sea
Waiting at dusk for one who is dead!
Peace
Peace flows into me
As the tide to the pool by the shore;
It is mine forevermore,
It will not ebb like the sea.
I am the pool of blue
That worships the vivid sky;
My hopes were heaven-high,
They are all fulfilled in you.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Philosophy 4 by Owen Wister: nothing more reasonable, than to see the tutor and tell him they should
not need him to-day. But that would have spoiled everything. They did
not know it, but deep in their childlike hearts was a delicious sense
that in thus unaccountably disappearing they had won a great game, had
got away ahead of Duty and Fate. After all it did bear some resemblance
to an escape from justice. .
Could he have known this, Oscar would have felt more superior than ever.
Punctually at the hour agreed, ten o'clock he rapped at Billy's door and
stood waiting, his leather wallet of notes nipped safe between elbow and
ribs. Then he knocked again. Then he tried the door, and as it was
open, he walked deferentially into the sitting room. Sonorous snores
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The third excerpt represents the future or something you must embrace, and is drawn from New Poems by Robert Louis Stevenson: But Johnie Adam.
He suffered - as have a' that wan
Eternal memory frae man,
Since e'er the weary worl' began -
Mister or Madam,
Keats or Scots Burns, the Spanish Don
Or Johnie Adam.
We leuch, an' Johnie deid. An' fegs!
Hoo he had keept his stoiterin' legs
Sae lang's he did's a fact that begs
An explanation.
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