| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adam Bede by George Eliot: sheep near her. The very consciousness of her own limbs was a
delight to her: she turned up her sleeves, and kissed her arms
with the passionate love of life. Soon warmth and weariness
lulled her in the midst of her sobs, and she fell continually into
dozing, fancying herself at the brink of the pool again--fancying
that she had jumped into the water, and then awaking with a start,
and wondering where she was. But at last deep dreamless sleep
came; her head, guarded by her bonnet, found a pillow against the
gorsy wall, and the poor soul, driven to and fro between two equal
terrors, found the one relief that was possible to it--the relief
of unconsciousness.
 Adam Bede |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Massimilla Doni by Honore de Balzac: incomprehensible farce, while his face was transfigured with rapturous
expression like that of a martyr, as painted by Zurbaran or Murillo,
Titian or Raphael. The general shout of laughter changed to almost
tragical gravity when they saw that Genovese was in utter earnest. La
Tinti understood that her companion was in love with her, and had
spoken the truth on the stage, the land of falsehood.
"/Poverino!/" she murmured, stroking the Prince's hand under the
table.
"By all that is holy!" cried Capraja, "will you tell me what score you
are reading at this moment--murdering Rossini? Pray inform us what you
are thinking about, what demon is struggling in your throat."
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