Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

beautiful young ladies, no!

Harmony gave her an extra krone or two out of sheer gratitude, but she could not keep her. And at noon, having packed her trunk, she went down to interview the Portier and his wife, who were agents under the owner for the old house.

The Portier, entirely subdued, was sweeping out the hallway. He looked past the girl, not at her, and observed impassively that the lease was up and it was her privilege to go. In the daylight she was not so like the angel, and after all she could only play the violin. The angel had a voice, such a voice! And besides, there was an eye at the crack of the door.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

occupy. It was the first time Gahan had been alone with Tara since she had been brought upon the field. He saw her scrutinizing him closely as he approached to lead her to her place and wondered if she recognized him: but if she did she gave no sign of it. He could not but remember her last words--"I hate you!" and her desertion of him when he had been locked in the room beneath the palace by I-Gos, the taxidermist, and so he did not seek to enlighten her as to his identity. He meant to fight for her--to die for her, if necessary--and if he did not die to go on fighting to the end for her love. Gahan of Gathol was not easily to be discouraged, but he was compelled to admit that his


The Chessmen of Mars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sesame and Lilies by John Ruskin:

never was a time when wilder words were spoken, or more vain imagination permitted, respecting this question--quite vital to all social happiness. The relations of the womanly to the manly nature, their different capacities of intellect or of virtue, seem never to have been yet estimated with entire consent. We hear of the "mission" and of the "rights" of Woman, as if these could ever be separate from the mission and the rights of Man--as if she and her lord were creatures of independent kind, and of irreconcilable claim. This, at least, is wrong. And not less wrong--perhaps even more foolishly wrong (for I will anticipate thus far what I hope to prove)--is the idea that woman is only the shadow and attendant

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

every bit as convenient--and rather more respectful--To-morrow let it be. [Offering to go.]

MISS NEVILLE. By no means, sir. Your ceremony will displease her. The disorder of your dress will show the ardour of your impatience. Besides, she knows you are in the house, and will permit you to see her.

MARLOW. O! the devil! how shall I support it? Hem! hem! Hastings, you must not go. You are to assist me, you know. I shall be confoundedly ridiculous. Yet, hang it! I'll take courage. Hem!

HASTINGS. Pshaw, man! it's but the first plunge, and all's over. She's but a woman, you know.


She Stoops to Conquer