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Today's Stichomancy for Carmen Electra

The first excerpt represents the past or something you must release, and is drawn from Seraphita by Honore de Balzac:

"Let us pass from pure, unmingled Number to corporate Number. Your geometry establishes that a straight line is the shortest way from one point to another, but your astronomy proves that God has proceeded by curves. Here, then, we find two truths equally proved by the same science,--one by the testimony of your senses reinforced by the telescope, the other by the testimony of your mind; and yet the one contradicts the other. Man, liable to err, affirms one, and the Maker of the worlds, whom, so far, you have not detected in error, contradicts it. Who shall decide between rectalinear and curvilinear geometry? between the theory of the straight line and that of the curve? If, in His vast work, the mysterious Artificer, who knows how


Seraphita
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

But a slight rustling movement ran through the house; Rose Mignon had just come on the stage as Diana. Now though she had neither the face nor the figure for the part, being thin and dark and of the adorable type of ugliness peculiar to a Parisian street child, she nonetheless appeared charming and as though she were a satire on the personage she represented. Her song at her entrance on the stage was full of lines quaint enough to make you cry with laughter and of complaints about Mars, who was getting ready to desert her for the companionship of Venus. She sang it with a chaste reserve so full of sprightly suggestiveness that the public warmed amain. The husband and Steiner, sitting side by side, were laughing

The third excerpt represents the future or something you must embrace, and is drawn from The Hated Son by Honore de Balzac:

believed in evil only, might have feared that Etienne would some day claim his rights, and, so fearing, might have flung him into the sea with a stone around his neck. No son had ever less respect for a mother than he. As soon as he could reason he had seen the low esteem in which the duke held his wife. If the old man still retained some forms of decency in his manners to the duchess, Maximilien, unrestrained by his father, caused his mother many a grief.

Consequently, Bertrand was incessantly on the watch to prevent Maximilien from seeing Etienne, whose existence was carefully concealed. All the attendants of the castle cordially hated the Marquis de Saint-Sever (the name and title borne by the younger