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Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Georgics by Virgil:

Would set me in deep dells of Haemus cool, And shield me with his boughs' o'ershadowing might! Happy, who had the skill to understand Nature's hid causes, and beneath his feet All terrors cast, and death's relentless doom, And the loud roar of greedy Acheron. Blest too is he who knows the rural gods, Pan, old Silvanus, and the sister-nymphs! Him nor the rods of public power can bend, Nor kingly purple, nor fierce feud that drives Brother to turn on brother, nor descent


Georgics
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Emma McChesney & Co. by Edna Ferber:

a long time, her eyes shut. She told herself that she felt and looked very old, very tired, very unlike the Emma McChesney Buck who had left New York a few weeks before. Then she thought of T. A., and her eyes unclosed and she smiled. By the time the train had reached Cleveland the little lines seemed miraculously to have disappeared, somehow, from about her eyes. When they left the One Hundred and Twenty-fifth Street station she was a creature transformed. And when the train rolled into the great down-town shed, Emma was herself again, bright-eyed, alert, vibrating energy.

There was no searching, no hesitation. Her eyes met his, and his


Emma McChesney & Co.
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Confidence by Henry James:

serious looks with which her face was occasionally ornamented.

"If you want really to know, then--can't you see that your remorse seemed to me connected in a certain way with your affection; a sort of guarantee of it? You thought you had injured some one or other, and that seemed to be mixed up with your loving me, and therefore I let it alone."

"Ah," said Bernard, "my remorse is all gone, and yet I think I love you about as much as ever! So you see how wrong you were not to tell me."

"The wrong to you I don't care about. It is very true I might have told you for Mr. Wright's sake. It would perhaps have made him look better. But as you never attacked him for deserting me, it seemed needless for me

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memories and Portraits by Robert Louis Stevenson:

appreciation of man's foibles and mingled and inconstant motives; and third, the dramatic novel, which deals with the same stuff as the serious theatre, and appeals to our emotional nature and moral judgment.

And first for the novel of adventure. Mr. James refers, with singular generosity of praise, to a little book about a quest for hidden treasure; but he lets fall, by the way, some rather startling words. In this book he misses what he calls the "immense luxury" of being able to quarrel with his author. The luxury, to most of us, is to lay by our judgment, to be submerged by the tale as by a billow, and only to awake, and begin to distinguish and