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Today's Stichomancy for Cary Grant

The first excerpt represents the past or something you must release, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe:

town, in which, and in its neighbourhood, there are as many gentlemen of good fortunes and families as I believe can be met with in so narrow a compass in any of the three counties of which I make this circuit.

In the town of Witham dwells the Lord Pasely, oldest son of the Earl of Abercorn of Ireland (a branch of the noble family of Hamilton, in Scotland). His lordship has a small, but a neat, well-built new house, and is finishing his gardens in such a manner as few in that part of England will exceed them.

Nearer Chelmsford, hard by Boreham, lives the Lord Viscount Barrington, who, though not born to the title, or estate, or name

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Turn of the Screw by Henry James:

with the best people he could find to look after them, parting even with his own servants to wait on them and going down himself, whenever he might, to see how they were doing. The awkward thing was that they had practically no other relations and that his own affairs took up all his time. He had put them in possession of Bly, which was healthy and secure, and had placed at the head of their little establishment-- but below stairs only--an excellent woman, Mrs. Grose, whom he was sure his visitor would like and who had formerly been maid to his mother. She was now housekeeper and was also acting for the time as superintendent to the little girl, of whom,

The third excerpt represents the future or something you must embrace, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

eminent persons. When I was a boy every well-known man was accused of beating his wife. Later on, for some unexplained reason, he was accused of psychopathic derangement. And this fashion is retrospective. The cases of Shakespear and Michel Angelo are cited as proving that every genius of the first magnitude was a sufferer; and both here and in Germany there are circles in which such derangement is grotesquely reverenced as part of the stigmata of heroic powers. All of which is gross nonsense. Unfortunately, in Shakespear's case, prudery, which cannot prevent the accusation from being whispered, does prevent the refutation from being shouted. Mr Harris, the deep-voiced, refuses to be silenced. He dismisses with proper