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Today's Stichomancy for Cary Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moll Flanders by Daniel Defoe:

per week . . . . . . . . . . . . . . . .13#, 0s., 0d.

2. For a nurse for the month, and the use of linen and lace . . . . . . . . . . . . . . . . .2#, 10s., 0d.

3. For the minister to christen the child, etc., as above . . . . . . . . . . . . . . . . . . 2#, 0s., 0d.

4. For supper and for sweetmeats . . . . . . . . . . . . . . . . . . . . . . . 3#, 3s., 0d.

For her fees as above . . . . . . 5#, 5s., 0d.

For a servant-maid . . . . . . . . 1#, 0s., 0d. _______________ 26#, 18s., 0d


Moll Flanders
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Phoenix and the Turtle by William Shakespeare:

Augur of the fever's end, To this troop come thou not near.

From this session interdict Every fowl of tyrant wing, Save the eagle, feather'd king: Keep the obsequy so strict.

Let the priest in surplice white, That defunctive music can, Be the death-defying swan, Lest the requiem lack his right.

And thou, treble-dated crow,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from When the Sleeper Wakes by H. G. Wells:

crawled to the edge, and peered into a velvety blackness. For a sickly moment he had courage neither to go on nor retreat, then he sat and hung his leg down, felt his guide's hands pulling at him, had a horrible sensation of sliding over the edge into the unfathomable, splashed, and felt himself in a slushy gutter, impenetrably dark.

"This way," whispered the voice, and he began crawling along the gutter through the trickling thaw, pressing himself against the wall. They continued along it for some minutes. He seemed to pass through


When the Sleeper Wakes
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lin McLean by Owen Wister:

entertainment--a wolf-dance. He had meant to go and see what the new waiter-girl at the hotel looked like, but put this off promptly to attend the dance. This hospitality the Shoshone Indians were extending to some visiting Ute friends, and the neighborhood was assembled to watch the ring of painted naked savages.

The post-trader looked after the galloping Lin. "What's he quitting his job for?" he asked the foreman.

"Same as most of 'em quit."

"Nothing?"

"Nothing."

"Been satisfactory?"