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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Young Forester by Zane Grey:

the slightest move would be fatal, so I bent all my mind to lying quiet as a stone.

Greaser came limping back into the cabin, and found a seat without any one speaking. It was so still that I heard the silken rustle of paper as he rolled a cigarette. Moments that seemed long as years passed, with my muscles clamped as in a vise. If only I had lain down upon my back! But there I was, half raised on my elbow, in a most awkward and uncomfortable position. I tried not to mind the tingling in my arm, but to think of Hiram, of Jim, of my mustang. But presently I could not think of anything except the certainty that I would soon lose control of my muscles and fall over.


The Young Forester
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Second Jungle Book by Rudyard Kipling:

diminished by war.

The Lair of the Wolf is his refuge, and where he has made him his home, Not even the Head Wolf may enter, not even the Council may come.

The Lair of the Wolf is his refuge, but where he has digged it too plain, The Council shall send him a message, and so he shall change it again.

If ye kill before midnight, be silent, and wake not the woods with your bay,


The Second Jungle Book
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Paradise Lost by John Milton:

To basest things. Revenge, at first though sweet, Bitter ere long, back on itself recoils: Let it; I reck not, so it light well aimed, Since higher I fall short, on him who next Provokes my envy, this new favourite Of Heaven, this man of clay, son of despite, Whom, us the more to spite, his Maker raised From dust: Spite then with spite is best repaid. So saying, through each thicket dank or dry, Like a black mist low-creeping, he held on His midnight-search, where soonest he might find


Paradise Lost
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of War by Sun Tzu:

What miraculous rapidity is this!" A fortnight later, Hsin- ch`eng had fallen and Meng Ta had lost his head. [See CHIN SHU, ch. 1, f. 3.] In 621 A.D., Li Ching was sent from K`uei-chou in Ssu-ch`uan to reduce the successful rebel Hsiao Hsien, who had set up as Emperor at the modern Ching-chou Fu in Hupeh. It was autumn, and the Yangtsze being then in flood, Hsiao Hsien never dreamt that his adversary would venture to come down through the gorges, and consequently made no preparations. But Li Ching embarked his army without loss of time, and was just about to start when the other generals implored him to postpone his departure until the river was in a less dangerous state for


The Art of War