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Today's Stichomancy for Charisma Carpenter

The first excerpt represents the past or something you must release, and is drawn from Gone With the Wind by Margaret Mitchell:

Carpetbaggers who are tryin' to take Tara away from you? Why, everybody's got land. Everybody's land pore. You can't give away land."

"I've got those diamond earbobs I got off that Yankee. We could sell them."

"Miss Scarlett, who 'round here has got money for earbobs? Folks ain't got money to buy side meat, let alone gewgaws. If you've got ten dollars in gold, I take oath that's more than most folks have got."

They were silent again and Scarlett felt as if she were butting her head against a stone wall. There had been so many stone walls to

Gone With the Wind
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Betty Zane by Zane Grey:

Then came the peculiar twang of Indian bows. There were showers of sparks and little streaks of fire with long tails like comets winged their parabolic flight toward the cabin. Falling short they hissed and sputtered in the grass. Jonathan's rifle spoke and one of the fleeing forms tumbled to the earth. A series of long yells from all around the Fort greeted this last shot, but not an Indian fired a rifle.

Fire-tipped arrows were now shot at the block-house, but not one took effect, although a few struck the stockade-fence. Col. Zane had taken the precaution to have the high grass and the clusters of goldenrod cut down all round the Fort. The wisdom of this course now became evident, for the wily savages could not crawl near enough to send their fiery arrows on the roof of the

Betty Zane
The third excerpt represents the future or something you must embrace, and is drawn from Anna Karenina by Leo Tolstoy:

in the corner by the door. After looking round the parlor, Levin went out in the back yard. The good-looking young woman in clogs, swinging the empty pails on the yoke, ran on before him to the well for water.

"Look sharp, my girl!" the old man shouted after her, good-humoredly, and he went up to Levin. "Well, sir, are you going to Nikolay Ivanovitch Sviazhsky? His honor comes to us too," he began, chatting, leaning his elbows on the railing of the steps. In the middle of the old man's account of his acquaintance with Sviazhsky, the gates creaked again, and laborers came into the yard from the fields, with wooden ploughs

Anna Karenina