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Today's Stichomancy for Charisma Carpenter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayflower Compact:

containing them all, in order to improve the content ratios of Etext to header material.

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The Mayflower Compact

November 11, 1620 [This was November 21, old style calendar]

In the name of God, Amen. We, whose names are underwritten, the Loyal Subjects of our dread Sovereigne Lord, King James, by the Grace of God, of Great Britaine, France, and Ireland, King, Defender of the Faith, &c.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Lear by William Shakespeare:

coming forth is thought of, which imports to the kingdom so much fear and danger that his personal return was most required and necessary. Kent. Who hath he left behind him general? Gent. The Marshal of France, Monsieur La Far. Kent. Did your letters pierce the Queen to any demonstration of grief? Gent. Ay, sir. She took them, read them in my presence, And now and then an ample tear trill'd down


King Lear
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

She heard the mockery in his tone.

'Tell me then,' she said flatly; 'do you think it would be better if I DON'T go to Venice?'

'I'm sure it's better if you do go to Venice,' he replied in the cool, slightly mocking voice.

'You know it's next Thursday?' she said.

'Yes!'

She now began to muse. At last she said:

'And we SHALL know better where we are when I come back, shan't we?'

'Oh surely!'

The curious gulf of silence between them!


Lady Chatterley's Lover
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Songs of Travel by Robert Louis Stevenson:

ONCE only by the garden gate Our lips we joined and parted. I must fulfil an empty fate And travel the uncharted.

Hail and farewell! I must arise, Leave here the fatted cattle, And paint on foreign lands and skies My Odyssey of battle.

The untented Kosmos my abode, I pass, a wilful stranger: My mistress still the open road