| The first excerpt represents the past or something you must release, and is drawn from American Notes by Rudyard Kipling: rude cobblestones, after the fashion of the year 1.
Here a tram-car, without any visible means of support, slid
stealthily behind me and nearly struck me in the back. This was
the famous cable car of San Francisco, which runs by gripping an
endless wire rope sunk in the ground, and of which I will tell
you more anon. A hundred yards further there was a slight
commotion in the street, a gathering together of three or four,
something that glittered as it moved very swiftly. A ponderous
Irish gentleman, with priest's cords in his hat and a small
nickel-plated badge on his fat bosom, emerged from the knot
supporting a Chinaman who had been stabbed in the eye and was
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Stories From the Old Attic by Robert Harris: endeavors. Even Sir Wishful had joined in the laughter, ridicule,
and derision that seasoned Sir Percival's every meal with his friends.
This hilarity touched the young knight and caused him to spend several
days in contemplation of his past behavior. "Am I gaining or losing
ground with Arissa?" he asked himself. "Rather had she said, 'Get
lost' before she said, 'You must be kidding,' for as it stands, I
can't say I'm making much progress."
But "Steadfast" was probably Sir Percival's middle name (or his
uncle's middle name, anyway), so the knight decided to approach
Arissa yet again. After all, Arissa seemed to be pretty okay,
and Sir Percival wanted a date. In a few days, then, Arissa
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The third excerpt represents the future or something you must embrace, and is drawn from Massimilla Doni by Honore de Balzac: Amalfi, and a similar title was in use at Venice, justified by ancient
inheritance from Facino Cane, Prince of Varese. The Grimaldi, who
assumed sovereignty, did not take possession of Monaco till much
later.
The last Cane of the elder branch vanished from Venice thirty years
before the fall of the Republic, condemned for various crimes more or
less criminal. The branch on whom this nominal principality then
devolved, the Cane Memmi, sank into poverty during the fatal period
between 1796 and 1814. In the twentieth year of the present century
they were represented only by a young man whose name was Emilio, and
an old palace which is regarded as one of the chief ornaments of the
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