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Today's Stichomancy for Charles Lindbergh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of War by Sun Tzu:

existed in the time of Ssu-ma Ch`ien practically as we have them now. That the work was then well known he tells us in so many words. "Sun Tzu's 13 Chapters and Wu Ch`i's Art of War are the two books that people commonly refer to on the subject of military matters. Both of them are widely distributed, so I will not discuss them here." But as we go further back, serious difficulties begin to arise. The salient fact which has to be faced is that the TSO CHUAN, the greatest contemporary record, makes no mention whatsoever of Sun Wu, either as a general or as a writer. It is natural, in view of this awkward circumstance, that many scholars should not only cast doubt on the story of Sun


The Art of War
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Garden Party by Katherine Mansfield:

strict understanding they were not to be splashed. As for Lottie, she didn't follow at all. She liked to be left to go in her own way, please. And that way was to sit down at the edge of the water, her legs straight, her knees pressed together, and to make vague motions with her arms as if she expected to be wafted out to sea. But when a bigger wave than usual, an old whiskery one, came lolloping along in her direction, she scrambled to her feet with a face of horror and flew up the beach again.

"Here, mother, keep those for me, will you?"

Two rings and a thin gold chain were dropped into Mrs Fairfield's lap.

"Yes, dear. But aren't you going to bathe here?"

"No-o," Beryl drawled. She sounded vague. "I'm undressing farther along.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedo by Plato:

going whither I go, when I have come to the end of my journey, I shall attain that which has been the pursuit of my life. And therefore I go on my way rejoicing, and not I only, but every other man who believes that his mind has been made ready and that he is in a manner purified.

Certainly, replied Simmias.

And what is purification but the separation of the soul from the body, as I was saying before; the habit of the soul gathering and collecting herself into herself from all sides out of the body; the dwelling in her own place alone, as in another life, so also in this, as far as she can;--the release of the soul from the chains of the body?

Very true, he said.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wrecker by Stevenson & Osbourne:

to presume) inhabited. Thither I used to mount by a crumbling footpath, and in front of the last of the houses, would sit down to sketch. The very first day I saw I was observed, out of the ground-floor window by a youngish, good-looking fellow, prematurely bald, and with an expression both lively and engaging. The second, as we were still the only figures in the landscape, it was no more than natural that we should nod. The third, he came out fairly from his intrenchments, praised my sketch, and with the impromptu cordiality of artists carried me into his apartment; where I sat presently in the midst of a museum of strange objects,--paddles and battle-clubs and