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Today's Stichomancy for Charles Lindbergh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rivers to the Sea by Sara Teasdale:

And laid her finger on my mouth.

III

The dusk was blue with blowing mist, The lights were spangles in a veil, And from the clamor far below Floated faint music like a wail.

It voiced what I shall never speak, My heart was breaking all night long, But when the dawn was hard and gray, My tears distilled into a song.

IV

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Ideal Husband by Oscar Wilde:

have no one else to love, no one else to love me. Perhaps if God had sent us children she might have been kinder to me. But God has given us a lonely house. And she has cut my heart in two. Don't let us talk of it. I was brutal to her this evening. But I suppose when sinners talk to saints they are brutal always. I said to her things that were hideously true, on my side, from my stand-point, from the standpoint of men. But don't let us talk of that

LORD GORING. Your wife will forgive you. Perhaps at this moment she is forgiving you. She loves you, Robert. Why should she not forgive?

SIR ROBERT CHILTERN. God grant it! God grant it! [Buries his face

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

raised the cup with his thumb and forefinger, he inserted two other fingers under, gathered up all the balls between them and placed them under the cup as he put it down. While in making the balls disappear, he concealed them either in his mouth or between his fingers. The Chinese have a saying: In selecting his balls from north to south, The magician cannot leave his mouth; And in rolling his balls, you understand,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ann Veronica by H. G. Wells:

certain standing not only as a singer but as a critic, and I belong to one of the most brilliant causerie dinner clubs of the day, in which successful Bohemianism, politicians, men of affairs, artists, sculptors, and cultivated noblemen generally, mingle together in the easiest and most delightful intercourse. That is my real milieu, and one that I am convinced you would not only adorn but delight in.

"I find it very hard to write this letter. There are so many things I want to tell you, and they stand on such different levels, that the effect is necessarily confusing and discordant, and I find myself doubting if I am really giving you the thread