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Today's Stichomancy for Charles Lindbergh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Poems of William Blake by William Blake:

III.

Then Thel astonish'd view'd the Worm upon its dewy bed.

Art thou a Worm? image of weakness. art thou but a Worm? I see thee like an infant wrapped in the Lillys leaf; Ah weep not little voice, thou can'st not speak, but thou can'st weep: Is this a Worm? I see they lay helpless & naked: weeping And none to answer, none to cherish thee with mothers smiles.

The Clod of Clay heard the Worms voice & rais'd her pitying head: She bowd over the weeping infant, and her life exhald In milky fondness, then on Thel she fix'd her humble eyes

O beauty of the vales of Har, we live not for ourselves,


Poems of William Blake
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Children of the Night by Edwin Arlington Robinson:

To consecrate the magic of dead things, And yieldingly to linger by long walls Of ruin, where the ruinous moonlight That sheds a lying glory on old stones Befriends us with a wizard's enmity.

XVIII

Something as one with eyes that look below The battle-smoke to glimpse the foeman's charge, We through the dust of downward years may scan The onslaught that awaits this idiot world Where blood pays blood for nothing, and where life

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mayflower Compact:

Anno. Domini, 1620.

Mr. John Carver Mr. Stephen Hopkins Mr. William Bradford Digery Priest Mr. Edward Winslow Thomas Williams Mr. William Brewster Gilbert Winslow Isaac Allerton Edmund Margesson Miles Standish Peter Brown John Alden Richard Bitteridge John Turner George Soule Francis Eaton Edward Tilly James Chilton John Tilly

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

that of Suleika will probably be considered the best, from the many graceful love-songs which it contains. The following is Hanoi's account of the Divan, and may well serve as a substitute for anything I could say respecting it:--

It contains opinions and sentiments on the East, expressed in a series of rich cantos and stanzas full of sweetness and spirit, and all this as enchanting as a harem emitting the most delicious and rare perfumes, and blooming with exquisitely-lovely nymphs with eyebrows painted black, eyes piercing as those of the antelope, arms white as alabaster, and of the most graceful and perfectly-formed shapes, while the heart of the reader beats and