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Today's Stichomancy for Charles Manson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Don Quixote by Miquel de Cervantes:

it was the talk of every knot of idlers in the street. He said that on the night of Don Fernando's betrothal with Luscinda, as soon as she had consented to be his bride by saying 'Yes,' she was taken with a sudden fainting fit, and that on the bridegroom approaching to unlace the bosom of her dress to give her air, he found a paper in her own handwriting, in which she said and declared that she could not be Don Fernando's bride, because she was already Cardenio's, who, according to the man's account, was a gentleman of distinction of the same city; and that if she had accepted Don Fernando, it was only in obedience to her parents. In short, he said, the words of the paper made it clear she meant to kill herself on the completion of


Don Quixote
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Works of Samuel Johnson by Samuel Johnson:

passages shall appear unworthy of that praise which they have formerly received, let us not immediately determine, that they owed their reputation to dulness or bigotry; but suspect at least that our ancestors had some reasons for their opinions, and that our ignorance of those reasons makes us differ from them.

It often happens that an author's reputation is endangered in succeeding times, by that which raised the loudest applause among his contemporaries: nothing is read with greater pleasure than allusions to recent facts, reigning opinions, or present

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lesser Hippias by Plato:

genuine.

On the whole, not a twentieth part of the writings which pass under the name of Plato, if we exclude the works rejected by the ancients themselves and two or three other plausible inventions, can be fairly doubted by those who are willing to allow that a considerable change and growth may have taken place in his philosophy (see above). That twentieth debatable portion scarcely in any degree affects our judgment of Plato, either as a thinker or a writer, and though suggesting some interesting questions to the scholar and critic, is of little importance to the general reader.

LESSER HIPPIAS

by

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Child of Storm by H. Rider Haggard:

"Not altogether, Macumazahn," he answered, letting his eyes, those strange eyes that could look at the sun without blinking, fall before my gaze. "Have I not told you that I hate the House of Senzangakona? And when Retief and his companions were killed, did not the spilling of their blood mean war to the end between the Zulus and the White Men? Did it not mean the death of Dingaan and of thousands of his people, which is but a beginning of deaths? Now do you understand?"

"I understand that you are a very wicked man," I answered with indignation.

"At least _you_ should not say so, Macumazahn," he replied in a new voice, one with the ring of truth in it.


Child of Storm