Today's Stichomancy for Charles Manson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

was wanting a baby, and an heir to Wragby! An heir to Wragby! She shuddered with dread.

Yet Mellors had come out of all this!--Yes, but he was as apart from it all as she was. Even in him there was no fellowship left. It was dead. The fellowship was dead. There was only apartness and hopelessness, as far as all this was concerned. And this was England, the vast bulk of England: as Connie knew, since she had motored from the centre of it.

The car was rising towards Stacks Gate. The rain was holding off, and in the air came a queer pellucid gleam of May. The country rolled away in long undulations, south towards the Peak, east towards Mansfield and Nottingham. Connie was travelling South.

Lady Chatterley's Lover

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sons of the Soil by Honore de Balzac:

except when it rises or when it sets, striping the road like a zebra with its oblique rays, my view was obstructed by an outline of rising ground; after that is passed, the long avenue is obstructed by a copse, within which the roads meet at a cross-ways, in the centre of which stands a stone obelisk, for all the world like an eternal exclamation mark. From the crevices between the foundation stones of this erection, which is topped by a spiked ball (what an idea!), hang flowering plants, blue or yellow according to the season. Les Aigues must certainly have been built by a woman, or for a woman; no man would have had such dainty ideas; the architect no doubt had his cue.

Passing through the little wood placed there as sentinel, I came upon

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from United States Declaration of Independence:

is an undistinguished destruction of all ages, sexes and conditions.

In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince, whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free People.

Nor have We been wanting in attention to our British brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice

United States Declaration of Independence

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of the Klondyke by Jack London:

the rose garden, what was he?"

"Remember, he is dead."

"The fact is not altered thereby. What was he? A great, gross, material creature, deaf to song, blind to beauty, dead to the spirit. He was fat with laziness, and flabby-cheeked, and the round of his belly witnessed his gluttony--"

"But he is dead. It is we who are now--now! now! Don't you hear? As you say, I have been inconstant. I have sinned. Good. But should not you, too, cry peccavi? If I have broken promises, have not you? Your love of the rose garden was of all time, or so you said. Where is it now?"