| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchess of Padua by Oscar Wilde: [rising]
None but the wretched needs my prayers, my lord.
GUIDO
Then must I need them, lady.
DUCHESS
How is that?
Does not the Duke show thee sufficient honour?
GUIDO
Your Grace, I lack no favours from the Duke,
Whom my soul loathes as I loathe wickedness,
But come to proffer on my bended knees,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierre Grassou by Honore de Balzac: thought a great draughtsman in academic circles. After that he went to
Schinner's, to learn the secrets of the powerful and magnificent color
which distinguishes that master. Master and scholars were all
discreet; at any rate Pierre discovered none of their secrets. From
there he went to Sommervieux' atelier, to acquire that portion of the
art of painting which is called composition, but composition was shy
and distant to him. Then he tried to snatch from Decamps and Granet
the mystery of their interior effects. The two masters were not
robbed. Finally Fougeres ended his education with Duval-Lecamus.
During these studied and these different transformations Fougeres'
habits and ways of life were tranquil and moral to a degree that
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