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Today's Stichomancy for Charles Manson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Resurrection by Leo Tolstoy:

When he came to Petersburg and stopped at his aunt's--his mother's sister, the Countess Tcharsky, wife of a former minister--Nekhludoff at once found himself in the very midst of that aristocratic circle which had grown so foreign to him. This was very unpleasant, but there was no possibility of getting out of it. To put up at an hotel instead of at his aunt's house would have been to offend his aunt, and, besides, his aunt had important connections and might be extremely useful in all these matters he meant to attend to.

"What is this I hear about you? All sorts of marvels," said the Countess Katerina Ivanovna Tcharsky, as she gave him his coffee


Resurrection
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

"Shet yer face, an' come home, yeh damned old fool," roared Jimmie at her. She strided up to him and twirled her fingers in his face. Her eyes were darting flames of unreasoning rage and her frame trembled with eagerness for a fight.

"T'hell wid yehs! An' who deh hell are yehs? I ain't givin' a snap of me fingers fer yehs," she bawled at him. She turned her huge back in tremendous disdain and climbed the stairs to the next floor.

Jimmie followed, cursing blackly. At the top of the flight he seized his mother's arm and started to drag her toward the door of their room.

"Come home, damn yeh," he gritted between his teeth.


Maggie: A Girl of the Streets
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

prised leader.

In the little room but two could engage him at once, but so fiercely did his blade swing and so surely did he thrust that in a bare moment The Black Wolf lay dead upon the floor and the red giant, Shandy, was badly though not fatally wounded. The four remaining ruffi- ans backed quickly from the hut, and a more cautious fighter would have let them go their way in peace, for in the open four against one are odds no man may pit himself against with impunity. But Norman of Torn saw red when he fought and the red lured him ever on


The Outlaw of Torn
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twelve Stories and a Dream by H. G. Wells:

near the middle of the boat--the young man had taken Miss Winchelsea's carry-all there and had told her it was a good place--and they watched the white shores of Albion recede and quoted Shakespeare and made quiet fun of their fellow travellers in the English way.

They were particularly amused at the precautions the bigger-sized people had taken against the little waves--cut lemons and flasks prevailed, one lady lay full-length in a deck chair with a handkerchief over her face, and a very broad resolute man in a bright brown "touristy" suit walked all the way from England to France along the deck, with his legs as widely apart as Providence permitted. These were all excellent precautions, and, nobody was ill. The personally