| The first excerpt represents the past or something you must release, and is drawn from Symposium by Plato: we shall have twice as many sacrifices. He spake, and split them as you
might split an egg with an hair; and when this was done, he told Apollo to
give their faces a twist and re-arrange their persons, taking out the
wrinkles and tying the skin in a knot about the navel. The two halves went
about looking for one another, and were ready to die of hunger in one
another's arms. Then Zeus invented an adjustment of the sexes, which
enabled them to marry and go their way to the business of life. Now the
characters of men differ accordingly as they are derived from the original
man or the original woman, or the original man-woman. Those who come from
the man-woman are lascivious and adulterous; those who come from the woman
form female attachments; those who are a section of the male follow the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from New Arabian Nights by Robert Louis Stevenson: he should awake suspicion; his play-bill, which he kept reading
from end to end and over and over again, turned from white to red
before his eyes; and when he cast a glance upon the stage, it
seemed incalculably far away, and he found the voices and gestures
of the actors to the last degree impertinent and absurd.
From time to time he risked a momentary look in the direction which
principally interested him; and once at least he felt certain that
his eyes encountered those of the young girl. A shock passed over
his body, and he saw all the colours of the rainbow. What would he
not have given to overhear what passed between the Vandeleurs?
What would he not have given for the courage to take up his opera-
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The third excerpt represents the future or something you must embrace, and is drawn from Little Women by Louisa May Alcott: through the bars, "Go away, Teddy, I'm busy."
Thanks to the conspirators, the tables were turned that night,
for Hayes sent up a wilderness of flowers, with a loverly basket
arranged in his best manner for a centerpiece. Then the March family
turned out en masse, and Jo exerted herself to some purpose, for
people not only came, but stayed, laughing at her nonsense, admiring
Amy's taste, and apparently enjoying themselves very much. Laurie
and his friends gallantly threw themselves into the breach, bought
up the bouquets, encamped before the table, and made that corner
the liveliest spot in the room. Amy was in her element now, and out
of gratitude, if nothing more, was as spritely and gracious as possible,
Little Women |
