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Today's Stichomancy for Charles Manson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cousin Pons by Honore de Balzac:

Boulevard de la Madeleine, he stocked it with Pons' treasures, and then--after dreaming his dream in sheets of gold, after seeing millions in the blue spiral wreaths that rose from his pipe, he awoke to find himself face to face with the little tailor. Cibot was sweeping the yard, the doorstep, and the pavement just as his neighbor was taking down the shutters and displaying his wares; for since Pons fell ill, La Cibot's work had fallen to her husband.

The Auvergnat began to look upon the little, swarthy, stunted, copper- colored tailor as the one obstacle in his way, and pondered how to be rid of him. Meanwhile this growing passion made La Cibot very proud, for she had reached an age when a woman begins to understand that she

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aesop's Fables by Aesop:

Boy up before him on the Donkey. By this time they had come to the town, and the passers-by began to jeer and point at them. The Man stopped and asked what they were scoffing at. The men said: "Aren't you ashamed of yourself for overloading that poor donkey of yoursu and your hulking son?"

The Man and Boy got off and tried to think what to do. They thought and they thought, till at last they cut down a pole, tied the donkey's feet to it, and raised the pole and the donkey to their shoulders. They went along amid the laughter of all who met them till they came to Market Bridge, when the Donkey, getting one of his feet loose, kicked out and caused the Boy to drop his end


Aesop's Fables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the South Seas by Robert Louis Stevenson:

selfish conjuration. I was dissatisfied with what I heard, harped upon questions, and struck at last this vein of metal. It is from sundown to about four in the morning that the kinsfolk camp upon the grave; and these are the hours of the spirits' wanderings. At any time of the night - it may be earlier, it may be later - a sound is to be heard below, which is the noise of his liberation; at four sharp, another and a louder marks the instant of the re- imprisonment; between-whiles, he goes his malignant rounds. 'Did you ever see an evil spirit?' was once asked of a Paumotuan. 'Once.' 'Under what form?' 'It was in the form of a crane.' 'And how did you know that crane to be a spirit?' was asked. 'I will

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle by Upton Sinclair:

future; even if he did not live to see it himself, his children would, and, to a Socialist, the victory of his class was his victory. Also he had always the progress to encourage him; here in Chicago, for instance, the movement was growing by leaps and bounds. Chicago was the industrial center of the country, and nowhere else were the unions so strong; but their organizations did the workers little good, for the employers were organized, also; and so the strikes generally failed, and as fast as the unions were broken up the men were coming over to the Socialists.

Ostrinski explained the organization of the party, the machinery by which the proletariat was educating itself. There were