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Today's Stichomancy for Charles Manson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Paz by Honore de Balzac:

for an immense sum lent by two Jewish bankers in Paris. Comte Adam was now in possession of eighty thousand francs a year. When this was discovered society ceased to be surprised at the imprudence which had been laid to the charge of Madame de Serizy, the Marquis de Ronquerolles, and the Chevalier du Rouvre in yielding to the foolish passion of their niece. People jumped, as usual, from one extreme of judgment to the other.

During the winter of 1836 Comte Adam was the fashion, and Clementine Laginska one of the queens of Paris. Madame Laginska is now a member of that charming circle of young women represented by Mesdames de Lestorade, de Portenduere, Marie de Vandenesse, du Guenic, and de

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lin McLean by Owen Wister:

"Didn't yus see him?" said the biscuit-shooter speaking her first word in all this.

We followed her into the kitchen. The table was covered with tin plates. Beneath it, wedged knelt Tommy with a pistol firm in his hand; but the plates were rattling up and down like castanets.

There was a silence among us, and I wondered what we were going to do.

"Well," murmured the Virginian to himself, "if I could have foresaw, I'd not--it makes yu' feel humiliated yu'self."

He marched out, got on his horse, and rode away. Lin followed him, but perhaps less penitently. We all dispersed without saying anything, and presently from my blankets I saw poor Tommy come out of the silent cabin,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Alkahest by Honore de Balzac:

seemed to have sunk in their orbits through midnight vigils and the terrible reaction of hopes destroyed, yet ceaselessly reborn. The zealous fanaticism inspired by an art or a science was evident in this man; it betrayed itself in the strange, persistent abstraction of his mind expressed by his dress and bearing, which were in keeping with the anomalous peculiarities of his person.

His large, hairy hands were dirty, and the nails, which were very long, had deep black lines at their extremities. His shoes were not cleaned and the shoe-strings were missing. Of all that Flemish household, the master alone took the strange liberty of being slovenly. His black cloth trousers were covered with stains, his

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dream Life and Real Life by Olive Schreiner:

lay the plain, and the red farmhouse, so near, that if persons had been walking there you might have seen them in the moonlight. She clasped her hands. "Yes, I will tell them, I will tell them!" she said; "I am almost there!" She ran forward again, then hesitated. She shaded her eyes from the moonlight, and looked. Between her and the farmhouse there were three figures moving over the low bushes.

In the sheeny moonlight you could see how they moved on, slowly and furtively; the short one, and the one in light clothes, and the one in dark.

"I cannot help them now!" she cried, and sank down on the ground, with her little hands clasped before her.