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Today's Stichomancy for Charles Manson

The first excerpt represents the past or something you must release, and is drawn from The Jolly Corner by Henry James:

came back. "Yet how did you know - ?"

"I was uneasy. You were to have come, you remember - and you had sent no word."

"Yes, I remember - I was to have gone to you at one to-day." It caught on to their "old" life and relation - which were so near and so far. "I was still out there in my strange darkness - where was it, what was it? I must have stayed there so long." He could but wonder at the depth and the duration of his swoon.

"Since last night?" she asked with a shade of fear for her possible indiscretion.

"Since this morning - it must have been: the cold dim dawn of to-

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Emma McChesney & Co. by Edna Ferber:

And hurled himself into a taxi.

There was a crush of motors and carriages for a block on all sides of Madison Square Garden. He had to wait for what seemed an interminable time at the box-office. Then he began the task of worming his way through the close-packed throng in the great auditorium. It was a crowd such as the great place had not seen since the palmy days of the horse show. It was a crowd that sparkled and shone in silks and feathers and furs and jewels.

"Jove, if mother has half a chance at this gang!" Jock told himself. "If only she has grabbed some one who can really show that skirt!"

Emma McChesney & Co.
The third excerpt represents the future or something you must embrace, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

conscious, poor souls, of capacities in themselves of passion and action for good and evil, for which their frivolous humdrum daily life gives no room, no vent. They know too well that human nature can be more fertile, whether in weeds and poisons, or in flowers and fruits, than it is usually in the streets and houses of a well-ordered and tolerably sober city. And because the study of human nature is, after all, that which is nearest to everyone and most interesting to everyone, therefore they go to fiction, since they cannot go to fact, to see what they themselves might be had they the chance; to see what fantastic tricks before high heaven men and women like themselves can play, and how they play them.