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Today's Stichomancy for Charles de Gaulle

The first excerpt represents the past or something you must release, and is drawn from The Taming of the Shrew by William Shakespeare:

TRANIO. To save your life in this extremity, This favour will I do you for his sake; And think it not the worst of all your fortunes That you are like to Sir Vincentio. His name and credit shall you undertake, And in my house you shall be friendly lodg'd; Look that you take upon you as you should! You understand me, sir; so shall you stay Till you have done your business in the city. If this be courtesy, sir, accept of it.


The Taming of the Shrew
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

gracefully around the pond, some were pluming their snowy breasts on the shore beside it, and three, the finest of them all, and each with a bow of ribbon tied round its long neck, were confined within a little picket-fence apart from the others.

"Why, what beauties, Mrs. Kirk!" exclaimed Tattine, the minute she spied them, "and what are the ribbons for? Do they mean they have taken a prize at some show or other? And why do they each have a different color?"

"They mane," said Mrs. Kirk proudly, standing with her hands upon her hips and her face fairly beaming, "they mane as how they're to be presinted to you three children. The red is for Master Rudolph, the white is for Miss Mabel, and the blue is for you, Miss Tattine."

The third excerpt represents the future or something you must embrace, and is drawn from Burning Daylight by Jack London:

try and keep you out, Jack."

"And I raise you five thousand just to lend a hand at keeping Jack out," MacDonald said, in turn.

His voice was slightly husky and strained, and a nervous twitch in the corner of his mouth followed speech.

Kearns was pale, and those who looked on noted that his hand trembled as he wrote his slip. But his voice was unchanged.

"I lift her along for five thousand," he said.

Daylight was now the centre. The kerosene lamps above flung high lights from the rash of sweat on his forehead. The bronze of his cheeks was darkened by the accession of blood. His black eyes