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Today's Stichomancy for Charles de Gaulle

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

grew quite dark and the boy was weary with his long walk, they halted right in the middle of a field and allowed Woot to get his supper from the food he carried in his knapsack. Then the Scarecrow laid himself down, so that Woot could use his stuffed body as a pillow, and the Tin Woodman stood up beside them all night, so the dampness of the ground might not rust his joints or dull his brilliant polish. Whenever the dew settled on his body he carefully wiped it off with a cloth, and so in the morning the Emperor shone as brightly as ever in the rays of the rising sun.


The Tin Woodman of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Middlemarch by George Eliot:

that he was insolent, pretentious, and given to that reckless innovation for the sake of noise and show which was the essence of the charlatan.

The word charlatan once thrown on the air could not be let drop. In those days the world was agitated about the wondrous doings of Mr. St. John Long, "noblemen and gentlemen" attesting his extraction of a fluid like mercury from the temples of a patient.

Mr. Toller remarked one day, smilingly, to Mrs. Taft, that "Bulstrode had found a man to suit him in Lydgate; a charlatan in religion is sure to like other sorts of charlatans."

"Yes, indeed, I can imagine," said Mrs. Taft, keeping the number of thirty stitches carefully in her mind all the while; "there are


Middlemarch
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle by Upton Sinclair:

cost about two cents to prepare. Of course it had not the least effect, except upon a few roaches which had the misfortune to drink water after eating it, and so got their inwards set in a coating of plaster of Paris. The family, having no idea of this, and no more money to throw away, had nothing to do but give up and submit to one more misery for the rest of their days.

Then there was old Antanas. The winter came, and the place where he worked was a dark, unheated cellar, where you could see your breath all day, and where your fingers sometimes tried to freeze. So the old man's cough grew every day worse, until there came a time when it hardly ever stopped, and he had become a nuisance about the place.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

my food upon the ground I swung the chain above my head and crashed the links with all my strength upon his skull. Without a sound he slipped to the floor, stone dead.

Laughing and chattering like the idiot I was fast becoming I fell upon his prostrate form my fingers feeling for his dead throat. Presently they came in contact with a small chain at the end of which dangled a number of keys. The touch of my fingers on these keys brought back my reason with the suddenness of thought. No longer was I a jibbering idiot, but a sane, reasoning man with the means of escape within my very hands.