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Today's Stichomancy for Charles de Gaulle

The first excerpt represents the past or something you must release, and is drawn from Moran of the Lady Letty by Frank Norris:

Moran merely nodded, as though satisfied with his decision, and added:

"Well, what next, mate?"

"We'll get back to the 'Bertha' now and put to sea as soon as we can catch the tide. I'll send Jim and two of the other men across in the dory with Charlie. The rest of us will go around by the shore. We've got to have a chin-chin with Hoang, if he don't get loose aboard there and fire the boat before we can get back. I don't propose taking these beach-combers back to 'Frisco with us."

"What will we do with the two prisoners?" she asked.

"Let them go; we've got their arms."

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Flame and Shadow by Sara Teasdale:

"A Little While"

A little while when I am gone My life will live in music after me, As spun foam lifted and borne on After the wave is lost in the full sea.

A while these nights and days will burn In song with the bright frailty of foam, Living in light before they turn Back to the nothingness that is their home.

The Garden

My heart is a garden tired with autumn,

The third excerpt represents the future or something you must embrace, and is drawn from Pierre Grassou by Honore de Balzac:

"My dear friend," said Fougeres, "my picture is already condemned; it is not a verdict that I want of you, but the cause of that verdict."

"Well--you paint gray and sombre; you see nature being a crape veil; your drawing is heavy, pasty; your composition is a medley of Greuze, who only redeemed his defects by the qualities which you lack."

While detailing these faults of the picture Schinner saw on Fougeres' face so deep an expression of sadness that he carried him off to dinner and tried to console him. The next morning at seven o'clock Fougeres was at his easel working over the rejected picture; he warmed the colors; he made the corrections suggested by Schinner, he touched up his figures. Then, disgusted with such patching, he carried the