| The first excerpt represents the past or something you must release, and is drawn from Verses 1889-1896 by Rudyard Kipling: The gentlemen that lied in Court, they knew, and well they knew.
They only took the Judas-gold from Fenians out of jail,
They only fawned for dollars on the blood-dyed Clanna-Gael.
If black is black or white is white, in black and white it's down,
They're only traitors to the Queen and rebels to the Crown.
"Cleared", honourable gentlemen! Be thankful it's no more: --
The widow's curse is on your house, the dead are at your door.
On you the shame of open shame, on you from North to South
The hand of every honest man flat-heeled across your mouth.
Verses 1889-1896 |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Richard III by William Shakespeare: GLOUCESTER. More wonderful when angels are so angry.
Vouchsafe, divine perfection of a woman,
Of these supposed crimes to give me leave
By circumstance but to acquit myself.
ANNE. Vouchsafe, diffus'd infection of a man,
Of these known evils but to give me leave
By circumstance to accuse thy cursed self.
GLOUCESTER. Fairer than tongue can name thee, let me have
Some patient leisure to excuse myself.
ANNE. Fouler than heart can think thee, thou canst make
No excuse current but to hang thyself.
Richard III |
The third excerpt represents the future or something you must embrace, and is drawn from An Episode Under the Terror by Honore de Balzac: stranger, who had brought an element of excitement into lives of
misery and resignation, gazed at the little group; then he turned to
the priest and said, as if making a confidence, "Father, I came to beg
you to celebrate a mass for the repose of the soul of--of--of an
august personage whose body will never rest in consecrated earth----"
Involuntarily the abbe shivered. As yet, neither of the Sisters
understood of whom the stranger was speaking; they sat with their
heads stretched out and faces turned towards the speaker, curiosity in
their whole attitude. The priest meanwhile, was scrutinizing the
stranger; there was no mistaking the anxiety in the man's face, the
ardent entreaty in his eyes.
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