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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from The Wife, et al by Anton Chekhov: dressmaker's Olga Ivanovna usually drove to some actress of her
acquaintance to hear the latest theatrical gossip, and
incidentally to try and get hold of tickets for the first night
of some new play or for a benefit performance. From the actress's
she had to go to some artist's studio or to some exhibition or to
see some celebrity -- either to pay a visit or to give an
invitation or simply to have a chat. And everywhere she met with
a gay and friendly welcome, and was assured that she was good,
that she was sweet, that she was rare. . . . Those whom she
called great and famous received her as one of themselves, as an
equal, and predicted with one voice that, with her talents, her
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