The first excerpt represents the past or something you must release, and is drawn from Fairy Tales by Hans Christian Andersen: could see her own breath, which came like smoke out of her mouth. It grew
thicker and thicker, and took the form of little angels, that grew more and
more when they touched the earth. All had helms on their heads, and lances
and shields in their hands; they increased in numbers; and when Gerda had
finished the Lord's Prayer, she was surrounded by a whole legion. They thrust
at the horrid snow-flakes with their spears, so that they flew into a thousand
pieces; and little Gerda walked on bravely and in security. The angels patted
her hands and feet; and then she felt the cold less, and went on quickly
towards the palace of the Snow Queen.
But now we shall see how Kay fared. He never thought of Gerda, and least of
all that she was standing before the palace.
Fairy Tales |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Life on the Mississippi by Mark Twain: down brief paragraphs of plain practical information about the river,
and sign them 'MARK TWAIN,' and give them to the 'New Orleans Picayune.'
They related to the stage and condition of the river, and were
accurate and valuable; and thus far, they contained no poison.
But in speaking of the stage of the river to-day, at a given point,
the captain was pretty apt to drop in a little remark about this
being the first time he had seen the water so high or so low at
that particular point for forty-nine years; and now and then he would
mention Island So-and-so, and follow it, in parentheses, with some
such observation as 'disappeared in 1807, if I remember rightly.'
In these antique interjections lay poison and bitterness for
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The third excerpt represents the future or something you must embrace, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: from London, and has ceased to be suspicious of them."
The day after, De Marsay came again to walk on the Terrasse des
Feuillants, and saw Paquita Valdes; already passion had embellished
her for him. Seriously, he was wild for those eyes, whose rays seemed
akin to those which the sun emits, and whose ardor set the seal upon
that of her perfect body, in which all was delight. De Marsay was on
fire to brush the dress of this enchanting girl as they passed one
another in their walk; but his attempts were always vain. But at one
moment, when he had repassed Paquita and the duenna, in order to find
himself on the same side as the girl of the golden eyes, when he
returned, Paquita, no less impatient, came forward hurriedly, and De
The Girl with the Golden Eyes |