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Today's Stichomancy for Che Guevara

The first excerpt represents the past or something you must release, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

continued reading her scriptures.

Upstairs in the pastor's study, Muller sat in the armchair attentively watching the gyrations of a spinning top. The little toy, started at a certain point, drew a line exactly parallel to the scratch on the floor that had excited his thoughts and absorbed them day and night.

"It was a top-a top" repeated the detective to himself again and again. "I don't see why I didn't think of that right away. Why, of course, nothing else could have drawn such a perfect curve around the room, unhindered by the legs of the desk. Only I don't see how a toy like that could have any connection with this cruel and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Hunting of the Snark by Lewis Carroll:

(For a moment) with noble emotion, Said "This amply repays all the wearisome days We have spent on the billowy ocean!"

Such friends, as the Beaver and Butcher became, Have seldom if ever been known; In winter or summer, 'twas always the same-- You could never meet either alone.

And when quarrels arose--as one frequently finds Quarrels will, spite of every endeavor-- The song of the Jubjub recurred to their minds, And cemented their friendship for ever!


The Hunting of the Snark
The third excerpt represents the future or something you must embrace, and is drawn from Amy Foster by Joseph Conrad:

of a fine Sunday afternoon she would put on her best dress, a pair of stout boots, a large grey hat trimmed with a black feather (I've seen her in that finery), seize an absurdly slender parasol, climb over two stiles, tramp over three fields and along two hundred yards of road--never further. There stood Foster's cottage. She would help her mother to give their tea to the younger children, wash up the crockery, kiss the little ones, and go back to the farm. That was all. All the rest, all the change, all the relaxation. She never seemed to


Amy Foster