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Today's Stichomancy for Che Guevara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

moors, to another town of considerable size lying beside a river. Muller knew all this, but his knowledge of the locality was of little avail, for all traces of the carriage wheels were lost.

He followed each one of the streets for a little distance, but to no purpose. The wind blew the snow up in such heaps that it was quite impossible to follow any trail under such conditions.

With an expression of impatience Muller gave up his search and turned to go back again. He was hoping that Amster might have had better luck. It was not possible to find the goal towards which the wagon had taken its prisoner - if prisoner she was - as soon as they had hoped. Perhaps the search must be made in the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Off on a Comet by Jules Verne:

the community who took no part in this somewhat tedious proceeding.

A month passed away, but Servadac found no opportunity of getting at the information he had pledged himself to gain. On the sole occasion when he had ventured to broach the subject with the astronomer, he had received for answer that as there was no hurry to get back to the earth, there need be no concern about any dangers of transit.

Indeed, as time passed on, the professor seemed to become more and more inaccessible. A pleasant temperature enabled him to live entirely in his observatory, from which intruders were rigidly shut out. But Servadac bided his time.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fairy Tales by Hans Christian Andersen:

man's, and had tumbled and turned about amongst the timber and the rubbish, and had at last laid for many years in the ground.

The young wife wiped the dirt off the soldier, first with a green leaf, and then with her fine handkerchief--it had such a delightful smell, that it was to the pewter soldier just as if he had awaked from a trance.

"Let me see him," said the young man. He laughed, and then shook his head. "Nay, it cannot be he; but he reminds me of a story about a pewter soldier which I had when I was a little boy!" And then he told his wife about the old house, and the old man, and about the pewter soldier that he sent over to him because he was so very, very lonely; and he told it as correctly as it had really been, so that the tears came into the eyes of his young wife, on


Fairy Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Call of the Canyon by Zane Grey:

must unknit the very knots of the center of the earth. So its strength lay in the sublimity of its defiance. It meant to endure to the last rolling grain of sand. It was a dead mountain of rock, without spirit, yet it taught a grand lesson to the seeing eye.

Life was only a part, perhaps an infinitely small part of nature's plan. Death and decay were just as important to her inscrutable design. The uni- verse had not been created for life, ease, pleasure, and happiness of a man creature developed from lower organisms. If nature's secret was the developing of a spirit through all time, Carley divined that she had it within her. So the present meant little.

"I have no right to be unhappy," concluded Carley. "I had no right to Glenn


The Call of the Canyon