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Today's Stichomancy for Chow Yun Fat

The first excerpt represents the past or something you must release, and is drawn from The Alkahest by Honore de Balzac:

eye. A poet might have wished some leafage about the shrine, a little moss in the crevices of the freestone, a break in the even courses of the brick; he would have longed for a swallow to build her nest in the red coping that roofed the arches of the windows. The precise and immaculate air of this facade, a little worn by perpetual rubbing, gave the house a tone of severe propriety and estimable decency which would have driven a romanticist out of the neighborhood, had he happened to take lodgings over the way.

When a visitor had pulled the braided iron wire bell-cord which hung from the top of the pilaster of the doorway, and the servant-woman, coming from within, had admitted him through the side of the double-

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

race, and they will fight desperately; yet the outcome is certain. For we who live can never die, even though conquered by our enemies, while every Awgwa who is struck down is one foe the less to oppose us. Prepare, then, for battle, and let us resolve to show no mercy to the wicked!"

Thus arose that terrible war between the immortals and the spirits of evil which is sung of in Fairyland to this very day.

The King Awgwa and his band determined to carry out the threat to destroy Claus. They now hated him for two reasons: he made children happy and was a friend of the Master Woodsman. But since Ak's visit they had reason to fear the opposition of the immortals, and they


The Life and Adventures of Santa Claus
The third excerpt represents the future or something you must embrace, and is drawn from The Death of the Lion by Henry James:

product of the old lowering system. This made me feel I was doubly bound to have ideas, and had doubtless been at the bottom of my proposing to Mr. Pinhorn that I should lay my lean hands on Neil Paraday. I remember how he looked at me - quite, to begin with, as if he had never heard of this celebrity, who indeed at that moment was by no means in the centre of the heavens; and even when I had knowingly explained he expressed but little confidence in the demand for any such stuff. When I had reminded him that the great principle on which we were supposed to work was just to create the demand we required, he considered a moment and then returned: "I see - you want to write him up."