| The first excerpt represents the past or something you must release, and is drawn from The Underdogs by Mariano Azuela: "God, there's a roundabout way to tackle the ques-
tion. If I were you, I'd just shoot him and let it go at
that," said Pancracio contemptuously.
That night Quail returned with the priest's robes;
Demetrio ordered the prisoner to be led in. Luis Cer-
vantes had not eaten or slept for two days, there were
deep black circles under his eyes; his face was deathly
pale, his lips dry and colorless. He spoke awkwardly,
slowly: "You can do as you please with me. . . . I am
convinced I was wrong to come looking for you."
There was a prolonged silence. Then:
 The Underdogs |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Tapestried Chamber by Walter Scott: therefore you cannot have received any letters."
General Browne, without giving any further explanation, muttered
something about indispensable business, and insisted on the
absolute necessity of his departure in a manner which silenced
all opposition on the part of his host, who saw that his
resolution was taken, and forbore all further importunity.
"At least, however," he said, "permit me, my dear Browne, since
go you will or must, to show you the view from the terrace, which
the mist, that is now rising, will soon display."
He threw open a sash-window, and stepped down upon the terrace as
he spoke. The General followed him mechanically, but seemed
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The third excerpt represents the future or something you must embrace, and is drawn from The Waste Land by T. S. Eliot: To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.
At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives 220
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
 The Waste Land |