| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Robinson Crusoe by Daniel Defoe: but they took a safe way for us all, for they brought it to the
shore and laid it down, and went and stood a great way off till we
fetched it on board, and then came close to us again.
We made signs of thanks to them, for we had nothing to make them
amends; but an opportunity offered that very instant to oblige them
wonderfully; for while we were lying by the shore came two mighty
creatures, one pursuing the other (as we took it) with great fury
from the mountains towards the sea; whether it was the male
pursuing the female, or whether they were in sport or in rage, we
could not tell, any more than we could tell whether it was usual or
strange, but I believe it was the latter; because, in the first
 Robinson Crusoe |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lesson of the Master by Henry James: servant came in with a request from the Master that he would join
him downstairs; upon which, descending, he followed his conductor
through a long passage to an apartment thrown out, in the rear of
the habitation, for the special requirements, as he guessed, of a
busy man of letters.
St. George was in his shirt-sleeves in the middle of a large high
room - a room without windows, but with a wide skylight at the top,
that of a place of exhibition. It was furnished as a library, and
the serried bookshelves rose to the ceiling, a surface of
incomparable tone produced by dimly-gilt "backs" interrupted here
and there by the suspension of old prints and drawings. At the end
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola: "I regret having kept you waiting, gentlemen," said the young woman
with studied politeness.
The two men bowed and seated themselves. A blind of embroidered
tulle kept the little room in twilight. It was the most elegant
chamber in the flat, for it was hung with some light-colored fabric
and contained a cheval glass framed in inlaid wood, a lounge chair
and some others with arms and blue satin upholsteries. On the
toilet table the bouquets--roses, lilacs and hyacinths--appeared
like a very ruin of flowers. Their perfume was strong and
penetrating, while through the dampish air of the place, which was
full of the spoiled exhalations of the washstand, came occasional
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bucky O'Connor by William MacLeod Raine: wouldn't light and stay a while. He thought it over, and figured
he would."
"Who is it?" asked Leroy.
"You go and see. I ain't giving away what your Christmas presents
are. I aim to let Santa surprise you a few.
Miss Mackenzie followed the outlaw chief into the house, and over
his shoulder glimpsed two men. One of them was the Irishman, Cork
Reilly, and he sat with a Winchester across his knees. The other
had his back toward them, but he turned as they entered, and
nodded casually to the outlaw. Helen's heart jumped to her throat
when she saw it was Val Collins.
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