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Today's Stichomancy for Christie Brinkley

The first excerpt represents the past or something you must release, and is drawn from Story of an African Farm by Olive Schreiner:

for four years, on account of the will; then why propose? Wheedle her, tweedle her, teedle her, but don't let her make sure of you. When a woman," said Bonaparte, sagely resting his finger against the side of his nose, "When a woman is sure of you she does what she likes with you; but when she isn't, you do what you like with her. And I--" said Bonaparte.

Here he drew the horse up suddenly and looked. He was now close to the house, and leaning over the pigsty wall, in company with Em, who was showing her the pigs, was a strange female figure. It was the first visitor that had appeared on the farm since his arrival, and he looked at her with interest. She was a tall, pudgy girl of fifteen, weighing a hundred and fifty pounds, with baggy pendulous cheeks and up-turned nose.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Duchesse de Langeais by Honore de Balzac:

gracefully tossing aside a cushion that covered her feet.

"Madame, in Asia your feet would be worth some ten thousand sequins.

"A traveller's compliment!" smiled she.

It pleased the sprightly lady to involve a rough soldier in a labyrinth of nonsense, commonplaces, and meaningless talk, in which he manoeuvred, in military language, as Prince Charles might have done at close quarters with Napoleon. She took a mischievous amusement in reconnoitring the extent of his infatuation by the number of foolish speeches extracted from a novice whom she led step by step into a hopeless maze, meaning to

The third excerpt represents the future or something you must embrace, and is drawn from The Wife, et al by Anton Chekhov:

"I saw a happy man whose cherished dream was so obviously fulfilled, who had attained his object in life, who had gained what he wanted, who was satisfied with his fate and himself. There is always, for some reason, an element of sadness mingled with my thoughts of human happiness, and, on this occasion, at the sight of a happy man I was overcome by an oppressive feeling that was close upon despair. It was particularly oppressive at night. A bed was made up for me in the room next to my brother's bedroom, and I could hear that he was awake, and that he kept getting up and going to the plate of gooseberries and taking one. I reflected how many satisfied, happy people there really are!