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Today's Stichomancy for Christina Aguilera

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

for aught I know; but we must have patience wherever they are.

MISS NEVILLE. I'll not believe it! this is but a shallow pretence to deny me. I know they are too valuable to be so slightly kept, and as you are to answer for the loss--

MRS. HARDCASTLE. Don't be alarmed, Constance. If they be lost, I must restore an equivalent. But my son knows they are missing, and not to be found.

TONY. That I can bear witness to. They are missing, and not to be found; I'll take my oath on't.

MRS. HARDCASTLE. You must learn resignation, my dear; for though we lose our fortune, yet we should not lose our patience. See me, how


She Stoops to Conquer
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from St. Ives by Robert Louis Stevenson:

MERCURY and the last REGISTER to amuse yourself with in the interval.'

I believe Mr. Robbie was at least three hours gone. I saw him descend from a cab at the door, and almost immediately after I was shown again into his study, where the solemnity of his manner led me to augur the worst. For some time he had the inhumanity to read me a lecture as to the incredible silliness, 'not to say immorality,' of my behaviour. 'I have the satisfaction in telling you my opinion, because it appears that you are going to get off scot free,' he continued, where, indeed, I thought he might have begun.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Research Magnificent by H. G. Wells:

drift towards a conflict. He was trying to piece together a process, if it was one and the same process, which involved riots in Lodz, fighting at Libau, wild disorder at Odessa, remote colossal battlings in Manchuria, the obscure movements of a disastrous fleet lost somewhere now in the Indian seas, steaming clumsily to its fate, he was trying to rationalize it all in his mind, to comprehend its direction. He was struggling strenuously with the obscurities of the language in which these things were being discussed about him, a most difficult language demanding new sets of visual images because of its strange alphabet. Is it any wonder that for a time he failed to observe that Prothero was involved in some entirely

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rinkitink In Oz by L. Frank Baum:

to amuse you."

"Your song would make me more cross than ever," grumbled the goat.

"Quite impossible, dear Bilbil. You couldn't be more surly if you tried. So here is a famous song for you."

While the boy rowed steadily on and the boat rushed fast over the water, the jolly King, who never could be sad or serious for many minutes at a time, lay back on his embroidered cushions and sang as follows:

"A merry maiden went to sea --

Sing too-ral-oo-ral-i-do!


Rinkitink In Oz