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Today's Stichomancy for Christina Aguilera

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pellucidar by Edgar Rice Burroughs:

box to its hole and covering it over with sand, I called my servants about me, snatched a hurried breakfast, mounted my horse, and started upon a forced march for Algiers.

I arrived here today. In writing you this letter I feel that I am making a fool of myself.

There is no David Innes.

There is no Dian the Beautiful.

There is no world within a world.

Pellucidar is but a realm of your imagination--noth- ing more.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Episode Under the Terror by Honore de Balzac:

a faint, flickering light through the fog. Fear gave her eyes. She saw, or thought she saw, something sinister about the stranger's features. Her old terrors awoke; she took advantage of a kind of hesitation on his part, slipped through the shadows to the door of the solitary house, pressed a spring, and vanished swiftly as a phantom.

For awhile the stranger stood motionless, gazing up at the house. It was in some sort a type of the wretched dwellings in the suburb; a tumble-down hovel, built of rough stones, daubed over with a coat of yellowish stucco, and so riven with great cracks that there seemed to be danger lest the slightest puff of wind might blow it down. The roof, covered with brown moss-grown tiles, had given way in several

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rezanov by Gertrude Atherton:

flown off to the limbo of its kind, and the Com- mandante let it be known that deserters would be summarily captured and sent in irons to the Juno.

In the mind of Concha Arguello there was never a lingering doubt of the quality of that fortnight between the days of torturing doubts and acute emo- tional upheaval, and the sailing away of Rezanov. It was true that what he banteringly termed her romantic sadness possessed her at times, but it served as a shadow to throw into sharper relief an almost incredible happiness. If she seldom saw

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Phaedrus by Plato:

which good manners were unknown--he would certainly never have admitted the justice of our censure?

PHAEDRUS: I dare say not, Socrates.

SOCRATES: Therefore, because I blush at the thought of this person, and also because I am afraid of Love himself, I desire to wash the brine out of my ears with water from the spring; and I would counsel Lysias not to delay, but to write another discourse, which shall prove that 'ceteris paribus' the lover ought to be accepted rather than the non-lover.

PHAEDRUS: Be assured that he shall. You shall speak the praises of the lover, and Lysias shall be compelled by me to write another discourse on the same theme.