| The first excerpt represents the past or something you must release, and is drawn from Hamlet by William Shakespeare: etext possible. My email address for right now are haradda@aol.com
and davidr@inconnect.com. I hope that you enjoy this.
David#STARTMARK#
The Tragedie of Hamlet
Actus Primus. Scoena Prima.
Enter Barnardo and Francisco two Centinels.
Barnardo. Who's there?
Fran. Nay answer me: Stand & vnfold
your selfe
Bar. Long liue the King
Fran. Barnardo?
 Hamlet |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lay Morals by Robert Louis Stevenson: large as a meadow, occupying the whole width of the habitable
wing, with six barred windows looking on the court, and two
into the river valley. A dresser, a table, and a few chairs
stood dotted here and there upon the uneven flags. Under the
great chimney a good fire burned in an iron fire-basket; a
high old settee, rudely carved with figures and Gothic
lettering, flanked it on either side; there was a hinge table
and a stone bench in the chimney corner, and above the arch
hung guns, axes, lanterns, and great sheaves of rusty keys.
Jonathan looked about him, holding up the lantern, and
shrugged his shoulders, with a pitying grimace. 'Here it
|
The third excerpt represents the future or something you must embrace, and is drawn from The Contrast by Royall Tyler: MANLY
Sir, I hope--
VAN ROUGH
Come, come, no fine speeches; mind the main
chance, young man, and you and I shall always agree.
LETITIA
I sincerely wish you joy [advancing to Maria]; and
hope your pardon for my conduct.
MARIA
I thank you for your congratulations, and hope we
shall at once forget the wretch who has given us so
|