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Today's Stichomancy for Christopher Lee

The first excerpt represents the past or something you must release, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

opened; from that point the passage became much narrower, and barely permitted one to creep through on hands and knees. The floor of the abbe's cell was paved, and it had been by raising one of the stones in the most obscure corner that Faria had to been able to commence the laborious task of which Dantes had witnessed the completion.

As he entered the chamber of his friend, Dantes cast around one eager and searching glance in quest of the expected marvels, but nothing more than common met his view.

"It is well," said the abbe; "we have some hours before us -- it is now just a quarter past twelve o'clock."


The Count of Monte Cristo
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Coxon Fund by Henry James:

"What danger can equal for him the danger to which he's exposed from himself?" I asked. "Look out sharp, if he has lately been too prim. He'll presently take a day off, treat us to some exhibition that will make an Endowment a scandal."

"A scandal?" Mrs. Mulville dolorously echoed.

"Is Miss Anvoy prepared for that?"

My visitor, for a moment, screwed her parasol into my carpet. "He grows bigger every day."

"So do you!" I laughed as she went off.

That girl at Wimbledon, on the Thursday afternoon, more than justified my apprehensions. I recognised fully now the cause of

The third excerpt represents the future or something you must embrace, and is drawn from Moran of the Lady Letty by Frank Norris:

ballroom, bearing a nondescript figure on their shoulders. "Here he comes--the boys are bringing him in here! Oh!" he cried, turning to the musicians, "can't you play something?--any-thing! Hit it up for all you're worth! Ridgeway--Nat, look here! Ross was Yale, y' know--Yale '95; ain't we enough Yale men here to give him the yell?"

Out of all time and tune, but with a vigor that made up for both, the musicians banged into a patriotic air. Jerry, standing on a chair that itself was standing on the platform, led half a dozen frantic men in the long thunder of the "Brek-kek-kek-kek, co-ex, co-ex."