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Today's Stichomancy for Chuck Norris

The first excerpt represents the past or something you must release, and is drawn from The Ancient Regime by Charles Kingsley:

can never be lost; which stands, and will stand; marches, and will march, proving its growth, its health, its progressive force, its certainty of final victory, by those very changes, disputes, mistakes, which the ignorant and the bigoted hold up to scorn, as proofs of its uncertainty and its rottenness; because they never have dared or cared to ask boldly--What are the facts of the case?-- and have never discovered either the acuteness, the patience, the calm justice, necessary for ascertaining the facts, or their awful and divine certainty when once ascertained.

[But these philosophers (it will be said) hated all religion.

Before that question can be fairly discussed, it is surely right to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Red Seal by Natalie Sumner Lincoln:

the porch and get my envelope."

"You were a long time about it," commented McIntyre, sitting down by Mrs. Brewster and possessing himself of her fan. "I waited to tell you that Helen and Barbara were worn out after the inquest and so stayed at home to-night, but you didn't show up."

"Neither did the envelope," retorted Kent, and as his companions looked at him, he added. "It had disappeared off the table."

"Probably blew away," suggested McIntyre. "I noticed a strong current of air from the dining room, and two of the windows inclosing the porch were open.

"That's hardly possible," Kent replied skeptically. "The envelope


The Red Seal
The third excerpt represents the future or something you must embrace, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

expressions of some of the lower animals; and in the succeeding chapters those of man. Everyone will thus be able to judge for himself, how far my three principles throw light on the theory of the subject. It appears to me that so many expressions are thus explained in a fairly satisfactory manner, that probably all will hereafter be found to come under the same or closely analogous heads. I need hardly premise that movements or changes in any part of the body,-- as the wagging of a dog's tail, the drawing back of a horse's ears, the shrugging of a man's shoulders, or the dilatation of the capillary vessels of the skin,--may all equally well serve for expression. The three Principles are as follows.


Expression of Emotion in Man and Animals