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Today's Stichomancy for Chuck Yeager

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

am as desirous of being a good neighbor as I am of being a bad subject; and as for supporting schools, I am doing my part to educate my fellow countrymen now. It is for no particular item in the tax bill that I refuse to pay it. I simply wish to refuse allegiance to the State, to withdraw and stand aloof from it effectually. I do not care to trace the course of my dollar, if I could, till it buys a man a musket to shoot one with--the dollar is innocent--but I am concerned to trace the effects of my allegiance. In fact, I quietly declare war with the State, after my fashion, though I will still make use and get what advantages of her I can,


On the Duty of Civil Disobedience
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rewards and Fairies by Rudyard Kipling:

those people.

COLD IRON

When Dan and Una had arranged to go out before breakfast, they did not remember that it was Midsummer Morning. They only wanted to see the otter which, old Hobden said, had been fishing their brook for weeks; and early morning was the time to surprise him. As they tiptoed out of the house into the wonderful stillness, the church clock struck five. Dan took a few steps across the dew-blobbed lawn, and looked at his black footprints.

'I think we ought to be kind to our poor boots,'he said. 'They'll get horrid wet.'

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

came within a yard and a half to peer over. For at any moment the dump might begin to slide and carry you down and bury you below its ruins. Indeed, the neighbourhood of an old mine is a place beset with dangers. For as still as Silverado was, at any moment the report of rotten wood might tell us that the platform had fallen into the shaft; the dump might begin to pour into the road below; or a wedge slip in the great upright seam, and hundreds of tons of mountain bury the scene of our encampment.

I have already compared the dump to a rampart, built certainly by some rude people, and for prehistoric wars. It

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

in retirement; he adored the union of so rare a mind and so noble a soul; and he longed to become, himself, the heir of Michel Chrestien.

The beginning of this passion was, as in the case of almost all deep thinkers, an idea. Looking at the princess, studying the shape of her head, the arrangement of those sweet features, her figure, her hand, so finely modelled, closer than when he accompanied his friend in their wild rush through the streets, he was struck by the surprising phenomenon of the moral second-sight which a man exalted by love invariably finds within him. With what lucidity had Michel Chrestien read into that soul, that heart, illumined by the fires of love! Thus the princess acquired, in d'Arthez's eyes, another charm; a halo of