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Today's Stichomancy for Cindy Crawford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Through the Looking-Glass by Lewis Carroll:

(as she described it afterwards), and the next moment she found herself actually walking in at the door.

'Oh, it's too bad!' she cried. `I never saw such a house for getting in the way! Never!'

However, there was the hill full in sight, so there was nothing to be done but start again. This time she came upon a large flower-bed, with a border of daisies, and a willow-tree growing in the middle.

`O Tiger-lily,' said Alice, addressing herself to one that was waving gracefully about in the wind, `I WISH you could talk!'

`We CAN talk,' said the Tiger-lily: `when there's anybody


Through the Looking-Glass
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Facino Cane by Honore de Balzac:

Rossini; they played as they had the will and the skill; and every one in the room (with charming delicacy of feeling) refrained from finding fault. The music made such a brutal assault on the drum of my ear, that after a first glance round the room my eyes fell at once upon the blind trio, and the sight of their uniform inclined me from the first to indulgence. As the artists stood in a window recess, it was difficult to distinguish their faces except at close quarters, and I kept away at first; but when I came nearer (I hardly know why) I thought of nothing else; the wedding party and the music ceased to exist, my curiosity was roused to the highest pitch, for my soul passed into the body of the clarionet player.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Caesar's Commentaries in Latin by Julius Caesar:

legatis aliquem ad se mitteret. Conloquendi Caesari causa visa non est, et eo magis quod pridie eius diei Germani retineri non potuerant quin tela in nostros coicerent. Legatum ex suis sese magno cum periculo ad eum missurum et hominibus feris obiecturum existimabat. Commodissimum visum est C. Valerium Procillum, C. Valerii Caburi filium, summa virtute et humanitate adulescentem, cuius pater a C. Valerio Flacco civitate donatus erat, et propter fidem et propter linguae Gallicae scientiam, qua multa iam Ariovistus longinqua consuetudine utebatur, et quod in eo peccandi Germanis causa non esset, ad eum mittere, et una M. Metium, qui hospitio Ariovisti utebatur. His mandavit quae diceret Ariovistus cognogcerent et ad se referrent. Quos cum apud se in castris Ariovistus conspexisset,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When the Sleeper Wakes by H. G. Wells:

for distraction, for fresh sensations.

He went back to the apparatus in the other room, and had soon puzzled out the method of replacing the cylinders by others. As he did so, it came into his mind that it must be these little appliances had fixed the language so that it was still clear and understand- able after two hundred years. The haphazard cylinders he substituted displayed a musical fantasia. At first it was beautiful, and then it was sensuous. He presently recognized what appeared to him to be an altered version of the story of Tannhauser. The music


When the Sleeper Wakes