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Today's Stichomancy for Claire Forlani

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autobiography of Benjamin Franklin by Benjamin Franklin:

one Innis, a messenger of Philadelphia, who had come from thence express with a paquet from Governor Denny for the General. He delivered to me some letters from my friends there, which occasion'd my inquiring when he was to return, and where be lodg'd, that I might send some letters by him. He told me he was order'd to call to-morrow at nine for the general's answer to the governor, and should set off immediately. I put my letters into his hands the same day. A fortnight after I met him again in the same place. "So, you are soon return'd, Innis?" "Returned! no, I am not gone yet." "How so?" "I have called here by order every morning these two weeks past for his lordship's letter, and it is not yet ready."


The Autobiography of Benjamin Franklin
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Riders of the Purple Sage by Zane Grey:

corralled near a ravine. Eight calves, all alive and doing fine!"

"You went five nights!"

All that Venters could make of the dilation of her eyes, her slow pallor, and her exclamation, was fear--fear for herself or for him.

"Yes. I didn't tell you, because I knew you were afraid to be left alone."

"Alone?" She echoed his word, but the meaning of it was nothing to her. She had not even thought of being left alone. It was not, then, fear for herself, but for him. This girl, always slow of speech and action, now seemed almost stupid. She put forth a hand


Riders of the Purple Sage
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Under the Red Robe by Stanley Weyman:

purposeful gait, her measured pace, forbade the idea. I noticed, too, that she seldom looked behind her--rarely to right or left. Once the ride down which she passed was carpeted not with green, but with the silvery, sheeny leaves of some creeping plant that in the distance had a shimmer like that of water at evening. As she trod this, with her face to the low sun, her tall grey figure had a pure air that for the moment startled me--she looked unearthly. Then I swore in scorn of myself, and at the next corner I had my reward. She was no longer walking on. She had stopped, I found, and seated herself on a fallen tree that lay in the ride.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gone With the Wind by Margaret Mitchell:

"Go back to bed," she threw over her shoulder. "You'll be dead if you don't. I'll clean up the mess after I've buried him."

"I'll do it with one of the rag rugs," whispered Melanie, looking at the pool of blood with a sick face.

"Well, kill yourself then and see if I care! And if any of the folks come back before I'm finished, keep them in the house and tell them the horse just walked in from nowhere."

Melanie sat shivering in the morning sunlight and covered her ears against the sickening series of thuds as the dead man's head bumped down the porch steps.

No one questioned whence the horse had come. It was so obvious he


Gone With the Wind