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Today's Stichomancy for Clint Eastwood

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In the South Seas by Robert Louis Stevenson:

It was a picture to see her sail to church on a Sunday, a parasol in hand, a nursemaid following, and the baby buried in a trade hat and armed with a patent feeding-bottle. The service was enlivened by her continual supervision and correction of the maid. It was impossible not to fancy the baby was a doll, and the church some European playroom. All these women were legitimately married. It is true that the certificate of one, when she proudly showed it, proved to run thus, that she was 'married for one night,' and her gracious partner was at liberty to 'send her to hell' the next morning; but she was none the wiser or the worse for the dastardly trick. Another, I heard, was married on a work of mine in a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Michael Strogoff by Jules Verne:

danger. The blazing town was at last passed. Little by little the glare grew dimmer, the crackling became fainter, and the flames at last disappeared behind the high cliffs which arose at an abrupt turn of the river.

By this time it was nearly midnight. The deep gloom again threw its protecting shadows over the raft. The Tartars were there, going to and fro near the river. They could not be seen, but they could be heard. The fires of the outposts burned brightly.

In the meantime it had become necessary to steer more carefully among the blocks of ice. The old boatman stood

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Red Inn by Honore de Balzac:

of most Germans whom authors bring upon their scene. Like a man who does nothing frivolously, he was sitting squarely at the banker's table and eating with that Teutonic appetite so celebrated throughout Europe, saying, in fact, a conscientious farewell to the cookery of the great Careme.

To do honor to his guest the master of the house had invited a few intimate friends, capitalists or merchants, and several agreeable and pretty women, whose pleasant chatter and frank manners were in harmony with German cordiality. Really, if you could have seen, as I saw, this joyous gathering of persons who had drawn in their commercial claws, and were speculating only on the pleasures of life, you would have

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Prufrock/Other Observations by T. S. Eliot:

And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways? And how should I presume?

And I have known the arms already, known them all-- Arms that are braceleted and white and bare (But in the lamplight, downed with light brown hair!) Is it perfume from a dress That makes me so digress? Arms that lie along a table, or wrap about a shawl.


Prufrock/Other Observations