|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lost Princess of Oz by L. Frank Baum:
others had they not retreated in time to avoid her. Then, in quick
succession, came the Lion, Hank and the Sawhorse, bounding from
mountain to mountain to fall safely upon the greensward. Only the
Wizard was now left behind, and they waited so long for him that
Dorothy began to be worried.
But suddenly he came flying from the nearest mountain and
tumbled heels over head beside them. Then they saw that
he had wound two of their blankets around his body to keep
the bumps from hurting him and had fastened the blankets with some of
the spare straps from the harness of the Sawhorse.
The Lost Princess of Oz
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from McTeague by Frank Norris:
whiskey? Let's hear it."
"Oh! Oh! Oh!" sobbed Trina, covering her face with her
hands. McTeague caught her wrists in one palm and
pulled them down. Trina's pale face was streaming with
tears; her long, narrow blue eyes were swimming; her
adorable little chin upraised and quivering.
"Let's hear what you got to say," exclaimed McTeague.
"Nothing, nothing," said Trina, between her sobs.
"Then stop that noise. Stop it, do you hear me? Stop it."
He threw up his open hand threateningly. "STOP!" he
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Meno by Plato:
SOCRATES: And yet, were you not saying just now that virtue is the desire
and power of attaining good?
MENO: Yes, I did say so.
SOCRATES: But if this be affirmed, then the desire of good is common to
all, and one man is no better than another in that respect?
SOCRATES: And if one man is not better than another in desiring good, he
must be better in the power of attaining it?
SOCRATES: Then, according to your definition, virtue would appear to be
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Shadow Line by Joseph Conrad:
on my part. By that time, however, I was more
discontented, disgusted, and dogged than ever.
The past eighteen months, so full of new and varied
experience, appeared a dreary, prosaic waste of
days. I felt--how shall I express it?--that there
was no truth to be got out of them.
What truth? I should have been hard put to it to
explain. Probably, if pressed, I would have burst
into tears simply. I was young enough for that.
Next day the Captain and I transacted our busi-
ness in the Harbour Office. It was a lofty, big,
The Shadow Line