Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Clive Barker

The first excerpt represents the past or something you must release, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

his debt in a fragment of autobiography, but erected a tomb over the grave in Canongate churchyard. This was worthy of an artist, but it was done in vain; and although I think I have read nearly all the biographies of Burns, I cannot remember one in which the modesty of nature was not violated, or where Fergusson was not sacrificed to the credit of his follower's originality. There is a kind of gaping admiration that would fain roll Shakespeare and Bacon into one, to have a bigger thing to gape at; and a class of men who cannot edit one author without disparaging all others. They are indeed mistaken

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Glasses by Henry James:

went on to assert that only the horror of that image, looming out at herself, could be the reason of her avoiding the person who so forced it home. The fact he had encountered made everything hideously vivid, and more vivid than anything else that just such another pair of goggles was what would have been prescribed to Flora.

"I see--I see," I presently returned. "What would become of Lord Iffield if she were suddenly to come out in them? What indeed would become of every one, what would become of everything?" This was an enquiry that Dawling was evidently unprepared to meet, and I completed it by saying at last: "My dear fellow, for that matter,

The third excerpt represents the future or something you must embrace, and is drawn from Burning Daylight by Jack London:

snow-covered flat, he predicated first the gold-strike that made the city possible, and next he had an eye for steamboat landings, sawmill and warehouse locations, and all the needs of a far-northern mining city. But this, in turn, was the mere setting for something bigger, namely, the play of temperament. Opportunities swarmed in the streets and buildings and human and economic relations of the city of his dream. It was a larger table for gambling. The limit was the sky, with the Southland on one side and the aurora borealis on the other. The play would be big, bigger than any Yukoner had ever imagined, and he, Burning Daylight, would see that he got in on that play.