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Today's Stichomancy for Clive Barker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Europeans by Henry James:

"Wait till to-morrow," rejoined the young man.

"Yes, we have made a great mistake. If there is any doubt about it to-day, there certainly will be none to-morrow. Ce sera clair, au moins!"

The young man was silent a few moments, driving his pencil. Then at last, "There are no such things as mistakes," he affirmed.

"Very true--for those who are not clever enough to perceive them. Not to recognize one's mistakes--that would be happiness in life," the lady went on, still looking at her pretty foot.

"My dearest sister," said the young man, always intent upon his drawing, "it 's the first time you have told me I am not clever."

"Well, by your own theory I can't call it a mistake,"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Soul of a Bishop by H. G. Wells:

them in a tongue the majority did not use, and then prevailing. They ceased their interruptions, and the old man, Arius, took up the debate. For a time all those impassioned faces were intent upon him; they listened as though they sought occasion, and suddenly as if by a preconcerted arrangement they were all thrusting their fingers into their ears and knitting their brows in assumed horror; some were crying aloud and making as if to fly. Some indeed tucked up their garments and fled. They spread out into a pattern. They were like the little monks who run from St. Jerome's lion in the picture by Carpaccio. Then one zealot rushed forward and smote the old man heavily upon the mouth....

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

throne, a crown, a sceptre, a purple robe, and everything else that a king ought to have; for in him there was the royal blood, and the royal heart, and the head that knew how to rule.

While they were talking of these schemes, and beguiling the tediousness of the way with laying out the plan of the new city, one of the company happened to look at the cow.

"Joy! joy!" cried he, clapping his hands. "Brindle is going to lie down."

They all looked; and, sure enough, the cow had stopped, and was staring leisurely about her, as other cows do when on the point of lying down. And slowly, slowly did she recline herself on


Tanglewood Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glasses by Henry James:

happiness. The question was now only of her beauty and her being seen and marvelled at; with Dawling to do for her everything in life her activity was limited to that. Such an activity was all within her scope; it asked nothing of her that she couldn't splendidly give. As from time to time in our delicate communion she turned her face to me with the parody of a look I lost none of the signs of its strange new glory. The expression of the eyes was a rub of pastel from a master's thumb; the whole head, stamped with a sort of showy suffering, had gained a fineness from what she had passed through. Yes, Flora was settled for life--nothing could hurt her further. I foresaw the particular praise she would mostly