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Today's Stichomancy for Clive Barker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

are going with me. You are going back to my own country to be my wife. Tell me that you will, Co-Tan." And he bent still lower yet from his height and kissed her lips. Nor did he need more than the wonderful new light in her eyes to tell him that she would go to the end of the world with him if he would but take her. And then the gun-crew came up from below again to fire a signal shot, and the two were brought down from the high heaven of their new happiness to the scarred and weather-beaten deck of the U-33.

An hour later the vessel was running close in by a shore of wondrous beauty beside a parklike meadow that stretched back a mile inland to the foot of a plateau when Whitely called


Out of Time's Abyss
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Arrow of Gold by Joseph Conrad:

rested again on the sofa cushion.

"Why do you try to hurt my feelings?" she asked.

"For the same reason for which you call me dear at the end of a sentence like that: for want of something more amusing to do. You don't pretend to make me believe that you do it for any sort of reason that a decent person would confess to."

The colour had gone from her face; but a fit of wickedness was on me and I pursued, "What are the motives of your speeches? What prompts your actions? On your own showing your life seems to be a continuous running away. You have just run away from Paris. Where will you run to-morrow? What are you everlastingly running from -


The Arrow of Gold
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collection of Antiquities by Honore de Balzac:

Vandenesse, the Vicomtesse de Grandlieu, Canalis, and Mme. de Serizy.

"D'Esgrignon and Maufrigneuse are two names that are sure to cling together," said Mme. de Serizy, who aspired to epigram.

"For some days past she has been out at grass on Platonism," said des Lupeaulx.

"She will ruin that poor innocent," added Charles de Vandenesse.

"What do you mean?" asked Mlle. des Touches.

"Oh, morally and financially, beyond all doubt," said the Vicomtesse, rising.

The cruel words were cruelly true for young d'Esgrignon.

Next morning he wrote to his aunt describing his introduction into the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Rescue by Joseph Conrad:

feeling of quietude that came about her heart as soft as the night air penetrated by the feeble clearness of the stars. "This is a limpid soul," she thought.

"You know I always believed in you," he began again. "You know I did. Well. I never believed in you so much as I do now, as you sit there, just as you are, and with hardly enough light to make you out by."

It occurred to her that she had never heard a voice she liked so well--except one. But that had been a great actor's voice; whereas this man was nothing in the world but his very own self. He persuaded, he moved, he disturbed, he soothed by his inherent


The Rescue