| The first excerpt represents the past or something you must release, and is drawn from The Duchess of Padua by Oscar Wilde: Has set the God within it. Without love
Life is as silent as the common reeds
That through the marshes or by rivers grow,
And have no music in them.
DUCHESS
Yet out of these
The singer, who is Love, will make a pipe
And from them he draws music; so I think
Love will bring music out of any life.
Is that not true?
GUIDO
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ferragus by Honore de Balzac: Auguste and Madame de Nucingen turned round. Madame Jules had arrived,
dressed in white, looking simple and noble, wearing in her hair the
marabouts the young baron had seen her choose in the flower-shop. That
voice of love now pierced his heart. Had he won the slightest right to
be jealous of her he would have petrified her then and there by saying
the words, "Rue Soly!" But if he, an alien to her life, had said those
words in her ear a thousand times, Madame Jules would have asked him
in astonishment what he meant. He looked at her stupidly.
For those sarcastic persons who scoff at all things it may be a great
amusement to detect the secret of a woman, to know that her chastity
is a lie, that her calm face hides some anxious thought, that under
Ferragus |
The third excerpt represents the future or something you must embrace, and is drawn from War and Peace by Leo Tolstoy: kitchen garden with a ditch round it, two men on horseback facing
the ditch. One with a white plume in his hat seemed familiar to
Rostov; the other on a beautiful chestnut horse (which Rostov
fancied he had seen before) rode up to the ditch, struck his horse
with his spurs, and giving it the rein leaped lightly over. Only a
little earth crumbled from the bank under the horse's hind hoofs.
Turning the horse sharply, he again jumped the ditch, and
deferentially addressed the horseman with the white plumes,
evidently suggesting that he should do the same. The rider, whose
figure seemed familiar to Rostov and involuntarily riveted his
attention, made a gesture of refusal with his head and hand and by
War and Peace |
