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Today's Stichomancy for Coco Chanel

The first excerpt represents the past or something you must release, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

those who have been brought up on the severe, and I believe immortal, principles of republican simplicity. Perhaps I should mention that Virginia is very anxious that you should allow her to retain the box as a memento of your unfortunate but misguided ancestor. As it is extremely old, and consequently a good deal out of repair, you may perhaps think fit to comply with her request. For my own part, I confess I am a good deal surprised to find a child of mine expressing sympathy with mediaevalism in any form, and can only account for it by the fact that Virginia was born in one of your London suburbs shortly after Mrs. Otis had returned from a trip to Athens.'

The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Horsemanship by Xenophon:

snapping it. In rubbing the horse down, the groom should begin with the head and mane; as until the upper parts are clean, it is vain to cleanse the lower; then, as regards the rest of the body, first brush up the hair, by help of all the ordinary implements for cleansing, and then beat out the dust, following the lie of the hair. The hair on the spine (and dorsal region) ought not to be touched with any instrument whatever; the hand alone should be used to rub and smooth it, and in the direction of its natural growth, so as to preserve from injury that part of the horse's back on which the rider sits.

The head should be drenched with water simply; for, being bony, if you try to cleanse it with iron or wooden instruments injury may be


On Horsemanship
The third excerpt represents the future or something you must embrace, and is drawn from Persuasion by Jane Austen:

cried Anne. "This explains it. I found he had been used to hear of me. I could not comprehend how. What wild imaginations one forms where dear self is concerned! How sure to be mistaken! But I beg your pardon; I have interrupted you. Mr Elliot married then completely for money? The circumstances, probably, which first opened your eyes to his character."

Mrs Smith hesitated a little here. "Oh! those things are too common. When one lives in the world, a man or woman's marrying for money is too common to strike one as it ought. I was very young, and associated only with the young, and we were a thoughtless, gay set, without any strict rules of conduct. We lived for enjoyment.


Persuasion