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Today's Stichomancy for Coco Chanel

The first excerpt represents the past or something you must release, and is drawn from Kwaidan by Lafcadio Hearn:

only,-- tiny color-sketches made with seventeen syllables; some are nothing more than pretty fancies, or graceful suggestions;-- but the reader will find variety. Probably he will not care much for the verses in themselves. The taste for Japanese poetry of the epigrammatic sort is a taste that must be slowly acquired; and it is only by degrees, after patient study, that the possibilities of such composition can be fairly estimated. Hasty criticism has declared that to put forward any serious claim on behalf of seventeen-syllable poems "would be absurd." But what, then, of Crashaw's famous line upon the miracle at the marriage feast in Cana?--

Nympha pudica Deum vidit, et erubuit. [1]

Only fourteen syllables -- and immortality. Now with seventeen Japanese


Kwaidan
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Journal of the Plague Year by Daniel Defoe:

--- --- ---- 48 24 100

From August 1 to August 8 25 5 11 " " 8 " 15 23 6 8 " " 15 " 22 28 4 4 " " 22 " 29 40 6 10 " " 29 to September 5 38 2 11 September 5 " 12 39 23 ... " " 12 " 19 42 5 17 " " 19 " 26 42 6 10 " " 26 to October 3 14 4 9


A Journal of the Plague Year
The third excerpt represents the future or something you must embrace, and is drawn from Edition of The Ambassadors by Henry James:

all working for her and giving her the supreme chance, the chance of the happy, the really luxurious few, the chance, on a great occasion, to be natural and simple. She had never, with him, been more so; or if it was the perfection of art it would never-- and that came to the same thing--be proved against her.

What was truly wonderful was her way of differing so from time to time without detriment to her simplicity. Caprices, he was sure she felt, were before anything else bad manners, and that judgement in her was by itself a thing making more for safety of intercourse than anything that in his various own past intercourses he had had to reckon on. If therefore her presence was now quite other than