Today's Stichomancy for Coco Chanel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Parmenides by Plato:

how do you know that there are things in themselves?' In some respects, the difficulty pressed harder upon the Greek than upon ourselves. For conceiving of God more under the attribute of knowledge than we do, he was more under the necessity of separating the divine from the human, as two spheres which had no communication with one another.

It is remarkable that Plato, speaking by the mouth of Parmenides, does not treat even this second class of difficulties as hopeless or insoluble. He says only that they cannot be explained without a long and laborious demonstration: 'The teacher will require superhuman ability, and the learner will be hard of understanding.' But an attempt must be made to find an answer to them; for, as Socrates and Parmenides both admit, the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from First Inaugural Address by Abraham Lincoln:

now only partially surrendered, would not be surrendered at all by the other.

Physically speaking, we cannot separate. We cannot remove our respective sections from each other, nor build an impassable wall between them. A husband and wife may be divorced, and go out of the presence and beyond the reach of each other; but the different parts of our country cannot do this. They cannot but remain face to face, and intercourse, either amicable or hostile, must continue between them. Is it possible, then, to make that intercourse more advantageous or more satisfactory after separation than before? Can aliens make treaties easier than

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Desert Gold by Zane Grey:

wastes, a matter calmly accepted as inevitable. So he imagined it was accepted by the others. Not even Mercedes uttered a regret. No word was spoken of home. If there was thought of loved one, it was locked deep in their minds. In Mercedes there was no change in womanly quality, perhaps because all she had to love was there in the desert with her.

Gale had often pondered over this singular change in character. He had trained himself, in order to fight a paralyzing something in the desert's influence, to oppose with memory and thought an insidious primitive retrogression to what was scarcely consciousness at all, merely a savage's instinct of sight and sound. He felt the

Desert Gold

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Woman of No Importance by Oscar Wilde:

their mothers and their manners.

HESTER. The English aristocracy supply us with our curiosities, Lady Caroline. They are sent over to us every summer, regularly, in the steamers, and propose to us the day after they land. As for ruins, we are trying to build up something that will last longer than brick or stone. [Gets up to take her fan from table.]

LADY HUNSTANTON. What is that, dear? Ah, yes, an iron Exhibition, is it not, at that place that has the curious name?

HESTER. [Standing by table.] We are trying to build up life, Lady Hunstanton, on a better, truer, purer basis than life rests on here. This sounds strange to you all, no doubt. How could it