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Today's Stichomancy for Coco Chanel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tapestried Chamber by Walter Scott:

of the ancient wreathed and carved chimney-stalks. The wall of the park ran alongside of the highway for two or three hundred yards; and through the different points by which the eye found glimpses into the woodland scenery, it seemed to be well stocked. Other points of view opened in succession--now a full one of the front of the old castle, and now a side glimpse at its particular towers, the former rich in all the bizarrerie of the Elizabethan school, while the simple and solid strength of other parts of the building seemed to show that they had been raised more for defence than ostentation.

Delighted with the partial glimpses which he obtained of the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Commission in Lunacy by Honore de Balzac:

up of many-colored fragments, giving them the appearance of some singular natural product. Against the wall hung frames of artificial flowers, and decorations in which Popinot's initials were surrounded by hearts and everlasting flowers. Here were boxes of elaborate and useless cabinet work; there letter-weights carved in the style of work done by convicts in penal servitude. These masterpieces of patience, enigmas of gratitude, and withered bouquets gave the lawyer's room the appearance of a toyshop. The good man used these works of art as hiding-places which he filled with bills, worn-out pens, and scraps of paper. All these pathetic witnesses to his divine charity were thick with dust, dingy, and faded.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Poems by Bronte Sisters:

Cooling the fever with pity's balm Safe as the petrel on tossing billow, Safe in mine own soul's golden calm!

"Guardian-angel he lacks no longer; Evil fortune he need not fear: Fate is strong, but love is stronger; And MY love is truer than angel-care."


Silent is the house: all are laid asleep: One alone looks out o'er the snow-wreaths deep, Watching every cloud, dreading every breeze

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wrecker by Stevenson & Osbourne:

crew in the village and the early woodmen were afoot, when he concluded.



Singleton Carthew, the father of Norris, was heavily built and feebly vitalised, sensitive as a musician, dull as a sheep, and conscientious as a dog. He took his position with seriousness, even with pomp; the long rooms, the silent servants, seemed in his eyes like the observances of some religion of which he was the mortal god. He had the stupid man's intolerance of stupidity in others; the vain man's exquisite alarm lest it should