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Today's Stichomancy for Coco Chanel

The first excerpt represents the past or something you must release, and is drawn from I Have A Dream by Martin Luther King, Jr.:

our destiny and their freedom is inextricably bound to our freedom. We cannot walk alone.

And as we walk, we must make the pledge that we shall march ahead. We cannot turn back. There are those who are asking the devotees of civil rights, "When will you be satisfied?" We can never be satisfied as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. We cannot be satisfied as long as the Negro's basic mobility is from a smaller ghetto to a larger one. We can never be satisfied as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Salome by Oscar Wilde:

HERODIAS. Vous regardez encore ma fille. Il ne faut pas la regarder. Je vous ai deje dit cela.

HERODE. Vous ne dites que cela.

HERODIAS. Je le redis.

HERODE. Et la restauration du temple dont on a tant parle? Est-ce qu'on va faire quelque chose? On dit, n'est-ce pas que le voile du sanctuaire a disparu?

HERODIAS. C'est toi qui l'a pris. Tu parles e tort et e travers. Je ne veux pas rester ici. Rentrons.

HERODE. Salome, dansez pour moi.

HERODIAS. Je ne veux pas qu'elle danse.

The third excerpt represents the future or something you must embrace, and is drawn from Resurrection by Leo Tolstoy:

not to call the peasants up to the office, as he meant to go into the village himself and meet the men where they would assemble. Having hurriedly drank a cup of tea offered him by the foreman, Nekhludoff went to the village.



From the crowd assembled in front of the house of the village elder came the sound of voices; but as soon as Nekhludoff came up the talking ceased, and all the peasants took off their caps, just as those in Kousminski had done. The peasants here were of a much poorer class than those in Kousminski. The men wore shoes