| The first excerpt represents the past or something you must release, and is drawn from Pierrette by Honore de Balzac: knew that she was threatened with death. Two big tears painfully rose
in her wan gray eyes, from which her troubles had worn both lashes and
eyebrows, two pearls of anguish, forming within them and giving them a
dreadful brightness; then each tear swelled and rolled down the
withered cheek, but did not wet it.
"They have killed her!" she said at last, clasping her hands.
She fell on her knees which struck sharp blows on the brick-laid
floor, making a vow no doubt to Saint Anne d'Auray, the most powerful
of the madonnas of Brittany.
"A doctor from Paris," she said to Brigaut. "Go and fetch one,
Brigaut, go!"
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Misalliance by George Bernard Shaw: --Damn you! _[Recovering himself, horrified at his lapse]_ I beg
your pardon; but since weve both forgotten ourselves, youll please
allow me to leave the house. _[He turns towards the inner door,
having left his cap in the bedroom]._
HYPATIA. _[standing in his way]_ Are you ashamed of having said
"Damn you" to me?
PERCIVAL. I had no right to say it. I'm very much ashamed of it. I
have already begged your pardon.
HYPATIA. And youre not ashamed of having said "Really, Miss
Tarleton."
PERCIVAL. Why should I?
|
The third excerpt represents the future or something you must embrace, and is drawn from The Two Noble Kinsmen by William Shakespeare: Thou shalt remember nothing more then what
That Banket bids thee too.
HIPPOLITA.
Though much unlike [Kneeling.]
You should be so transported, as much sorry
I should be such a Suitour; yet I thinke,
Did I not by th'abstayning of my joy,
Which breeds a deeper longing, cure their surfeit
That craves a present medcine, I should plucke
All Ladies scandall on me. Therefore, Sir,
As I shall here make tryall of my prayres,
|