| The first excerpt represents the past or something you must release, and is drawn from The Tin Woodman of Oz by L. Frank Baum: "Your form of enchantment, my poor boy," she said
pityingly, "is different from that of the others.
Indeed, it is a form that is impossible to alter by any
magic known to fairies or yookoohoos. The wicked
Giantess was well aware, when she gave you the form of
a Green Monkey, that the Green Monkey must exist in the
Land of Oz for all future time."
Woot drew a long sigh.
"Well, that's pretty hard luck," he said bravely,
"but if it can't be helped I must endure it; that's
all. I don't like being a monkey, but what's the use of
The Tin Woodman of Oz |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe: "In uneasy moments like these, I always feel grateful
To my late father, who when I was young all seeds of impatience
In my mind uprooted, and left no fragment remaining,
And I learnt how to wait, as well as the best of the wise men.
"Tell us what legerdemain he employ'd," the pastor made answer.
"I will gladly inform you, and each one may gain by the lesson,"
Answer'd the neighbour. "When I was a boy, I was standing one Sunday
In a state of impatience, eagerly waiting the carriage
Which was to carry us out to the fountain under the lime-trees;
But it came not; I ran like a weasel now hither, now thither,
Up and down the stairs, and from the door to the window;
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The third excerpt represents the future or something you must embrace, and is drawn from Modeste Mignon by Honore de Balzac: --after all, the Canalis are not Navarreins, nor Cadignans, nor
Grandlieus. Nature, however, helps him out in his pretensions. He has
those eyes of Eastern effulgence which we demand in a poet, a delicate
charm of manner, and a vibrant voice; yet a taint of natural
charlatanism destroys the effect of nearly all these advantages; he is
a born comedian. If he puts forward his well-shaped foot, it is
because the attitude has become a habit; if he uses exclamatory terms
they are part of himself; if he poses with high dramatic action he has
made that deportment his second nature. Such defects as these are not
incompatible with a general benevolence and a certain quality of
errant and purely ideal chivalry, which distinguishes the paladin from
Modeste Mignon |
