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Today's Stichomancy for Colin Farrell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

trembled slightly. He was so fine, and he must not think of her that way. It was not real. It couldn't be. Men were lonely here, where everything was hard and cruel. They wanted some of the softness of life, and all of kindness and sweetness that she could give should be Henri's. But she must make it clear that there could never be anything more.

There was a tightness about her mouth as she folded the white frock.

"I know that garment," he said boyishly. "Do you remember the night you wore it? And how we wandered in the square and made the plan that has brought us together again?"

Sara Lee reached down into her suitcase and brought up Harvey's picture.

"I would like you to see this," she said a little breathlessly. "It is

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from My Bondage and My Freedom by Frederick Douglass:

master's case, they are imposed by himself. The slave is a subject, subjected by others; the slaveholder is a subject, but he is the author of his own subjection. There is more truth in the saying, that slavery is a greater evil to the master than to the slave, than many, who utter it, suppose. The self-executing laws of eternal justice follow close on the heels of the evil- doer here, as well as elsewhere; making escape from all its penalties impossible. But, let others philosophize; it is my province here to relate and describe; only allowing myself a word or two, occasionally, to assist the reader in the proper understanding of the facts narrated.


My Bondage and My Freedom
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Facino Cane by Honore de Balzac:

have come to a stop at the sight of him.

Picture to yourself a plaster mask of Dante in the red lamplight, with a forest of silver-white hair above the brows. Blindness intensified the expression of bitterness and sorrow in that grand face of his; the dead eyes were lighted up, as it were, by a thought within that broke forth like a burning flame, lit by one sole insatiable desire, written large in vigorous characters upon an arching brow scored across with as many lines as an old stone wall.

The old man was playing at random, without the slightest regard for time or tune. His fingers traveled mechanically over the worn keys of his instrument; he did not trouble himself over a false note now and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gulliver's Travels by Jonathan Swift:

of his retinue; and producing his credentials under the signet royal, which he applied close to my eyes, spoke about ten minutes without any signs of anger, but with a kind of determinate resolution, often pointing forwards, which, as I afterwards found, was towards the capital city, about half a mile distant; whither it was agreed by his majesty in council that I must be conveyed. I answered in few words, but to no purpose, and made a sign with my hand that was loose, putting it to the other (but over his excellency's head for fear of hurting him or his train) and then to my own head and body, to signify that I desired my liberty. It appeared that he understood me well enough, for he


Gulliver's Travels