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Today's Stichomancy for Colin Farrell

The first excerpt represents the past or something you must release, and is drawn from The Duchesse de Langeais by Honore de Balzac:

intellect, her heart lies in her brain, she is a sort of intellectual epicure, she has a head-voice. We call that kind of poor creature a Lais of the intellect. You have been taken in like a boy. If you doubt it, you can have proof of it tonight, this morning, this instant. Go up to her, try the demand as an experiment, insist peremptorily if it is refused. You might set about it like the late Marechal de Richelieu, and get nothing for your pains."

Armand was dumb with amazement.

"Has your desire reached the point of infatuation?"

"I want her at any cost!" Montriveau cried out despairingly.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Duchess of Padua by Oscar Wilde:

MORANZONE

My lord, I ask again what proof have ye?

LORD JUSTICE

[holding up the dagger] This dagger, Which from his blood-stained hands, itself all blood, Last night the soldiers seized: what further proof Need we indeed?

MORANZONE

[takes the danger and approaches the DUCHESS]

The third excerpt represents the future or something you must embrace, and is drawn from St. Ives by Robert Louis Stevenson:

coated, with tall hats much of a shape, and laden with booty in the form of a despatch-box, a case of pistols, and two plump valises, I thought we had very much the look of a pair of brothers returning from the sack of Amersham Place.

We issued at last upon a country by-road where we might walk abreast and without precaution. It was nine miles to Aylesbury, our immediate destination; by a watch, which formed part of my new outfit, it should be about half-past three in the morning; and as we did not choose to arrive before daylight, time could not be said to press. I gave the order to march at ease.

'Now, Rowley,' said I, 'so far so good. You have come, in the most