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Today's Stichomancy for Colin Farrell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

shore and of the sea-floor, as far as the dredge will discover them to us. We shall even thus find enough to occupy (if we choose) our lifetime. For we must recollect that this hasty sketch has hardly touched on that vegetable water-world, which is as wonderful and as various as the animal one. A hint or two of the beauty of the sea- weeds has been given; but space has allowed no more. Yet we might have spent our time with almost as much interest and profit, had we neglected utterly the animals which we have found, and devoted our attention exclusively to the flora of the rocks. Sea-weeds are no mere playthings for children; and to buy at a shop some thirty pretty kinds, pasted on paper, with long names (probably mis-spelt)

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glasses by Henry James:

has suspicions, who has found out her pince-nez but whom she has beguiled with some unblushing hocus-pocus, may discover the dreadful facts; and the essence of what she wanted this morning was in that interest to square me, to get me to deny indignantly and authoritatively (for isn't she my 'favourite sitter?') that she has anything in life the matter with any part of her. She sobbed, she 'went on,' she entreated; after we got talking her extraordinary nerve left her and she showed me what she has been through--showed me also all her terror of the harm I could do her. 'Wait till I'm married! wait till I'm married!' She took hold of me, she almost sank on her knees. It seems to me highly immoral, one's

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

mighty current, whose source seemed to be in the very beginning of things, and whose tremendous waters gathered as they went all the mingled streams of human passion and endeavor. Life in all its varied manifestations of beauty and strangeness seemed weaving a rhythmical dance around me as I moved, and wherever the spirit of man had passed I knew that my foot had once been familiar.

"As I gazed the mediaeval bosses of the tabernacle of Orcagna seemed to melt and flow into their primal forms so that the folded lotus of the Nile and the Greek acanthus were braided with the runic knots and fish-tailed monsters of the North, and all

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Soul of Man by Oscar Wilde:

machinery will supply the useful things, and that the beautiful things will be made by the individual. This is not merely necessary, but it is the only possible way by which we can get either the one or the other. An individual who has to make things for the use of others, and with reference to their wants and their wishes, does not work with interest, and consequently cannot put into his work what is best in him. Upon the other hand, whenever a community or a powerful section of a community, or a government of any kind, attempts to dictate to the artist what he is to do, Art either entirely vanishes, or becomes stereotyped, or degenerates into a low and ignoble form of craft. A work of art is the unique