| The first excerpt represents the past or something you must release, and is drawn from The Mayor of Casterbridge by Thomas Hardy: extent of country could be seen. A footpath ran steeply
down the green slope, conducting from the shady promenade on
the walls to a road at the bottom of the scarp. It was by
this path the Scotchman had to descend.
"Well, here's success to 'ee," said Henchard, holding out
his right hand and leaning with his left upon the wicket
which protected the descent. In the act there was the
inelegance of one whose feelings are nipped and wishes
defeated. "I shall often think of this time, and of how you
came at the very moment to throw a light upon my
difficulty."
 The Mayor of Casterbridge |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ferragus by Honore de Balzac: and I shall follow her soon into the grave."
On the morrow of this day, Madame Jules grew worse from hour to hour.
She used a moment's strength to take a letter from beneath her pillow,
and gave it eagerly to her husband with a sign that was easy to
understand,--she wished to give him, in a kiss, her last breath. He
took it, and she died. Jules fell half-dead himself and was taken to
his brother's house. There, as he deplored in tears his absence of the
day before, his brother told him that this separation was eagerly
desired by Clemence, who wished to spare him the sight of the
religious paraphernalia, so terrible to tender imaginations, which the
Church displays when conferring the last sacraments upon the dying.
 Ferragus |
The third excerpt represents the future or something you must embrace, and is drawn from The Two Brothers by Honore de Balzac: it proper and magnanimous to leave the brother and sister alone
together. The calculation was a good one. Poor Agathe found her
brother so ill that she would not deprive him of Madame Brazier's
care.
"Besides," she said to the old bachelor, "I wish to know a person to
whom I am grateful for the happiness of my brother."
These words gave evident pleasure to the old man, who rang for Madame
Flore. Flore, as we may well believe, was not far off. The female
antagonists bowed to each other. The Rabouilleuse showed the most
servile attentions and the utmost tenderness to her master; fancied
his head was too low, beat up the pillows, and took care of him like a
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