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Today's Stichomancy for Colin Powell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

The shadows all press forward, sev'rally Each snatch a hasty kiss, and then away. E'en so the emmets, 'mid their dusky troops, Peer closely one at other, to spy out Their mutual road perchance, and how they thrive. That friendly greeting parted, ere dispatch Of the first onward step, from either tribe Loud clamour rises: those, who newly come, Shout Sodom and Gomorrah!" these, "The cow Pasiphae enter'd, that the beast she woo'd Might rush unto her luxury." Then as cranes,


The Divine Comedy (translated by H.F. Cary)
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

his conversation with the Huma daily during that whole interval of years. On the contrary, he had never once thought of the odious fowl until the recurrence of precisely the same circumstances brought up precisely the same idea. He ought to have been proud of the accuracy of his mental adjustments. Given certain factors, and a sound brain should always evolve the same fixed product with the certainty of Babbage's calculating machine.

- What a satire, by the way, is that machine on the mere mathematician! A Frankenstein-monster, a thing without brains and without heart, too stupid to make a blunder; that turns out results like a corn-sheller, and never grows any wiser or better, though it


The Autocrat of the Breakfast-Table
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glasses by Henry James:

was not quite so memorable in itself as in some of its consequences, the most immediate of which was that I went that afternoon to see Geoffrey Dawling, who had in those days rooms in Welbeck Street, where I presented myself at an hour late enough to warrant the supposition that he might have come in. He had not come in, but he was expected, and I was invited to enter and wait for him: a lady, I was informed, was already in his sitting-room. I hesitated, a little at a loss: it had wildly coursed through my brain that the lady was perhaps Flora Saunt. But when I asked if she were young and remarkably pretty I received so significant a "No sir!" that I risked an advance and after a minute in this

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Statesman by Plato:

of the carpenter, potter, and coppersmith.

YOUNG SOCRATES: I understand.

STRANGER: And is there not a fourth class which is again different, and in which most of the things formerly mentioned are contained,--every kind of dress, most sorts of arms, walls and enclosures, whether of earth or stone, and ten thousand other things? all of which being made for the sake of defence, may be truly called defences, and are for the most part to be regarded as the work of the builder or of the weaver, rather than of the Statesman.

YOUNG SOCRATES: Certainly.

STRANGER: Shall we add a fifth class, of ornamentation and drawing, and of


Statesman