| The first excerpt represents the past or something you must release, and is drawn from Euthydemus by Plato: that other things are indifferent, and that wisdom is the only good, and
ignorance the only evil?
He assented.
Let us consider a further point, I said: Seeing that all men desire
happiness, and happiness, as has been shown, is gained by a use, and a
right use, of the things of life, and the right use of them, and good-
fortune in the use of them, is given by knowledge,--the inference is that
everybody ought by all means to try and make himself as wise as he can?
Yes, he said.
And when a man thinks that he ought to obtain this treasure, far more than
money, from a father or a guardian or a friend or a suitor, whether citizen
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart: hook, I was obliged to take the scizzors and cut off the said
LINGERIE. The result was good, although very DECOLLTE. I have no
bones in my neck, or practicaly so.
And now came my moment of temptation. How easy to put my hair up on
my head, and then, by the servant's staircase, make my way to the
seen below!
I, however, considered that I looked pale, although Mature. I
looked at least nineteen. So I went into Sis's room, which was full
of evening wraps but emty, and put on a touch of rouge. With that
and my eyebrows blackend, I would not have known myself, had I not
been certain it was I and no other.
|
The third excerpt represents the future or something you must embrace, and is drawn from Pagan and Christian Creeds by Edward Carpenter: and anyhow we may say that LOVE-RITES, even in mature
and civilized man, hardly ADMIT of speech. Words only
vulgarize love and blunt its edge.
So Dance to the savage and the early man was not merely
an amusement or a gymnastic exercise (as the books
often try to make out), but it was also a serious
and intimate part of life, an expression of religion
and the relation of man to non-human Powers. Imagine
a young dancer--and the admitted age for ritual dancing
was commonly from about eighteen to thirty--coming
forward on the dancing-ground or platform for the
Pagan and Christian Creeds |
