| The first excerpt represents the past or something you must release, and is drawn from The Picture of Dorian Gray by Oscar Wilde: to everybody in the room, the most astounding details.
I simply fled. I like to find out people for myself.
But Lady Brandon treats her guests exactly as an auctioneer
treats his goods. She either explains them entirely away,
or tells one everything about them except what one wants
to know."
"Poor Lady Brandon! You are hard on her, Harry!" said Hallward listlessly.
"My dear fellow, she tried to found a salon, and only succeeded
in opening a restaurant. How could I admire her? But tell me,
what did she say about Mr. Dorian Gray?"
"Oh, something like, 'Charming boy--poor dear mother and I
The Picture of Dorian Gray |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Monster Men by Edgar Rice Burroughs: world would he want of that enormous and heavy chest?"
"He might have thought that it contained treasure,"
hazarded von Horn, in an innocent tone of voice.
"Bosh, my dear man," replied Professor Maxon. "He knew
nothing of treasures, or money, or the need or value of either.
I tell you the workshop was opened, and the inner campong
as well by some one who knew the value of money and wanted
that chest, but why they should have released the creatures
from the inner enclosure is beyond me."
"And I tell you Professor Maxon that it could have been
none other than Number Thirteen," insisted von Horn.
The Monster Men |
The third excerpt represents the future or something you must embrace, and is drawn from The Cavalry General by Xenophon: the delight of god and man. That our knights are not accustomed to
these actual evolutions, I am well aware; but I also recognise the
fact that the performances are good and beautiful and will give
pleasure to spectators. I do not fail to note, moreover, that novel
feats of horsemanship have before now been performed by our knights,
when their commanders have had the ability to get their wishes readily
complied with.
[9] Lit. "everything that may be performed on a mounted horse."
Possibly, as Cobet suggests, {kala} has dropped out. See
"Horsemanship," xi. 3, 6.
But now, let us suppose it is the occasion of the march-past,[10] in
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