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Today's Stichomancy for Colin Powell

The first excerpt represents the past or something you must release, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

Kulan Tith and his Kaolians stood wide-eyed and speechless with amazement as they saw thousands of these strange, fierce warriors emerge from the companion-way of the small craft that could not comfortably have accomodated more than fifty.

At last the green men could withstand the onslaught of overwhelming numbers no longer. Slowly, at first, they fell back across the ochre plain. The bowmen pursued them. Kar Komak, standing upon the deck of the Thuria, trembled with excitement.

At the top of his lungs he voiced the savage war-cry


Thuvia, Maid of Mars
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

to know what Mayflowers are like and NOT to miss them. Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer and this is their heaven. But we had a splendid time today, Marilla. We had our lunch down in a big mossy hollow by an old well--such a ROMANTIC spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very FASHIONABLE to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say `sweets to the sweet.' He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers


Anne of Green Gables
The third excerpt represents the future or something you must embrace, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

"That is my granddaughter, Alison West."

I expressed the customary polite surprise, at which, finding me responsive, he told me his age with a chuckle of pride. More surprise, this time genuine. From that we went to what he ate for breakfast and did not eat for luncheon, and then to his reserve power, which at sixty-five becomes a matter for thought. And so, in a wide circle, back to where we started, the picture.

"Father was a rascal," John Gilmore said, picking up the frame. "The happiest day of my life was when I knew he was safely dead in bed and not hanged. If the child had looked like him, I - well, she doesn't. She's a Gilmore, every inch. Supposed to look like me."


The Man in Lower Ten