The first excerpt represents the past or something you must release, and is drawn from Idylls of the King by Alfred Tennyson: Ran to the Castle of Astolat, he saw
Fired from the west, far on a hill, the towers.
Thither he made, and blew the gateway horn.
Then came an old, dumb, myriad-wrinkled man,
Who let him into lodging and disarmed.
And Lancelot marvelled at the wordless man;
And issuing found the Lord of Astolat
With two strong sons, Sir Torre and Sir Lavaine,
Moving to meet him in the castle court;
And close behind them stept the lily maid
Elaine, his daughter: mother of the house
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Heap O' Livin' by Edgar A. Guest: Does your heart run cold with a silent dread?
Well, it's that way, too, where all mortals tread --
That way with the other fellow.
Does it hurt when they want what you cannot
buy?
It does with the other fellow.
Do you for their comfort yourself deny?
So does the other fellow.
Would you wail aloud if your babe should die
For the lack of care you could not supply?
Well, it's that way, too, as he travels by,
 A Heap O' Livin' |
The third excerpt represents the future or something you must embrace, and is drawn from The Glimpses of the Moon by Edith Wharton: scents of the garden blew in on him with the breeze from the
lake. Never had Streffy's little house seemed so like a nest of
pleasures. Lansing laid the cigar boxes on a console and ran
upstairs to collect his last possessions. When he came down
again, his wife, her eyes brilliant with achievement, was seated
in their borrowed chariot, the luggage cleverly stowed away, and
Giulietta and the gardener kissing her hand and weeping out
inconsolable farewells.
"I wonder what she's given them?" he thought, as he jumped in
beside her and the motor whirled them through the nightingale-
thickets to the gate.
|