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Today's Stichomancy for David Ben Gurion

The first excerpt represents the past or something you must release, and is drawn from Camille by Alexandre Dumas:

"Why did you bring Prudence?" I asked her.

"Because she was at the theatre with me, and because when I leave here I want to have some one to see me home."

"Could not I do?"

"Yes, but, besides not wishing to put you out, I was sure that if you came as far as my door you would want to come up, and as I could not let you, I did not wish to let you go away blaming me for saying 'No.'"

"And why could you not let me come up?"

"Because I am watched, and the least suspicion might do me the greatest harm."


Camille
The second excerpt represents the present or the deciding factor of the moment, and is drawn from La Grenadiere by Honore de Balzac:

shall not live so long. I love you so much that it makes me very unhappy to think of it. Dear children, if only you do not curse me some day!----"

"But why should I curse you some day, mother?"

"Some day," she said, kissing him on the forehead, "you will find out that I have wronged you. I am going to leave you, here, without money, without"--and she hesitated--"without a father," she added, and at the word she burst into tears and put the boy from her gently. A sort of intuition told Louis that his mother wished to be alone, and he carried off Marie, now half awake. An hour later, when his brother was in bed, he stole down and out to the summer-house where his mother was

The third excerpt represents the future or something you must embrace, and is drawn from Jane Eyre by Charlotte Bronte:

nor in the house--nor in the garden; it did not come out of the air- -nor from under the earth--nor from overhead. I had heard it-- where, or whence, for ever impossible to know! And it was the voice of a human being--a known, loved, well-remembered voice--that of Edward Fairfax Rochester; and it spoke in pain and woe, wildly, eerily, urgently.

"I am coming!" I cried. "Wait for me! Oh, I will come!" I flew to the door and looked into the passage: it was dark. I ran out into the garden: it was void.

"Where are you?" I exclaimed.

The hills beyond Marsh Glen sent the answer faintly back--"Where are


Jane Eyre