| The first excerpt represents the past or something you must release, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis: him. Knowles was talking to the driver. The old man clapped his
hands as stage-coachmen do, and drew in long draughts of air, as
if there were keen life and promise in every breath. They came
up at last, the cart empty, and drying for the day's work after
its morning's scrubbing, Lois's pock-marked face all in a glow
with trying to keep Barney awake. She grew quite red with
pleasure at seeing Holmes, but went on quickly as the men began
to talk. Tige followed her, of course; but when she had gone a
little way across the prairie, they saw her stop, and presently
the dog came back with something in his mouth, which he laid down
beside his master, and bolted off. It was only a rough
 Margret Howth: A Story of To-day |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain: --Pudd'nhead Wilson's Calendar
A person who is ignorant of legal matters is always liable to
make mistakes when he tries to photograph a court scene with his pen;
and so I was not willing to let the law chapters in this book
go to press without first subjecting them to rigid and exhausting
revision and correction by a trained barrister--if that is what
they are called. These chapters are right, now, in every detail,
for they were rewritten under the immediate eye of William Hicks,
who studied law part of a while in southwest Missouri thirty-five
years ago and then came over here to Florence for his health and
is still helping for exercise and board in Macaroni Vermicelli's
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The third excerpt represents the future or something you must embrace, and is drawn from Maitre Cornelius by Honore de Balzac: in the hotel de Poitiers a lady masked in virtue? The question is
difficult to decide; and the honor of women demands that it be left,
as it were, in litigation.
At the moment when the Marie of the dream may have been about to
forget her high dignity as mistress, the lover felt himself seized by
an iron hand, and the sour voice of the grand provost said to him:--
"Come, midnight Christian, who seeks God on the roofs, wake up!"
The young man saw the black face of Tristan l'Hermite above him, and
recognized his sardonic smile; then, on the steps of the corkscrew
staircase, he saw Cornelius, his sister, and behind them the provost
guard. At that sight, and observing the diabolical faces expressing
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