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Today's Stichomancy for David Boreanaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Z. Marcas by Honore de Balzac:

but a third of his distasteful task; he had been quite angry, and we had ceased to insist.

We heard the sound of gentlemanly boots in the passage, and raised our heads, looking at each other. There was a tap at Marcas' door--he never took the key out of the lock--and we heard the hero answer:

"Come in." Then--"What, you here, monsieur?"

"I, myself," replied the retired minister.

It was the Diocletian of this unknown martyr.

For some time he and our neighbor conversed in an undertone. Suddenly Marcas, whose voice had been heard but rarely, as is natural in a dialogue in which the applicant begins by setting forth the situation,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Verses 1889-1896 by Rudyard Kipling:

Of whiter, weaker flesh and bone more frail; And I stepped beneath Time's finger, once again a tribal singer [And a minor poet certified by Tr--ll]. Still they skirmish to and fro, men my messmates on the snow, When we headed off the aurochs turn for turn; When the rich Allobrogenses never kept amanuenses, And our only plots were piled in lakes at Berne. Still a cultured Christian age sees us scuffle, squeak, and rage, Still we pinch and slap and jabber, scratch and dirk;


Verses 1889-1896
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gone With the Wind by Margaret Mitchell:

had neither love nor honor to warm himself!"

"He has love! . . . I mean, he loves me!"

"Does he? Then answer me this and we are through for the day and you can take the money and throw it in the gutter for all I care."

Rhett rose to his feet and threw his half-smoked cigar into the spittoon. There was about his movements the same pagan freedom and leashed power Scarlett had noted that night Atlanta fell, something sinister and a little frightening. "If he loved you, then why in hell did he permit you to come to Atlanta to get the tax money? Before I'd let a woman I loved do that, I'd--"

"He didn't know! He had no idea that I--"


Gone With the Wind
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pivot of Civilization by Margaret Sanger:

biology, and biology joins hands with physics and chemistry, we are taught to see that there is a mysterious unity between these inner and outer forces. They express themselves in accordance with the same structural, physical and chemical laws. The development of civilization in the subjective world, in the sphere of behavior, conduct and morality, has been precisely the gradual accumulation and popularization of methods which teach people how to direct, transform and transmute the driving power of the great natural forces.

Psychology is now recognizing the forces concealed in the human organism. In the long process of adaptation to social life, men have had to harness the wishes and desires born of these inner energies,