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Today's Stichomancy for David Boreanaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

putting up but a half-hearted resistance; but Dietz, a huge, bearded, bull-necked Prussian, yelling like a maniac, sought to exterminate the Englische schweinhunde with his bayonet, fearing to fire his piece lest he kill some of his comrades.

It was Olson who engaged him, and though unused to the long German rifle and bayonet, he met the bull-rush of the Hun with the cold, cruel precision and science of English bayonet-fighting. There was no feinting, no retiring and no parrying that was not also an attack. Bayonet-fighting today is not a pretty thing to see--it is not an artistic fencing-match in which men give and take--it is slaughter inevitable and quickly over.


Out of Time's Abyss
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Henry VI by William Shakespeare:

KING. See, Buckingham, Somerset comes with the queen. Go, bid her hide him quickly from the duke.

QUEEN. For thousand Yorks he shall not hide his head, But boldly stand and front him to his face.

YORK. How now! is Somerset at liberty? Then, York, unloose thy long-imprisoned thoughts, And let thy tongue be equal with thy heart. Shall I endure the sight of Somerset?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

such misfortune even on the battle-field. He does not even sleep;" and the devil began to swear. "I cannot follow him," he continued. "I will go now to the heaps and make everything rotten."

Accordingly he went to a heap of the new-mown grain and began his fiendish work. After wetting it he built a fire and warmed himself, and soon was fast asleep.

Ivan harnessed his horse, and, with his sister, went to bring the rye home from the field.

After lifting a couple of sheaves from the first heap his pitchfork came into contact with the little devil's back, which


The Kreutzer Sonata
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Human Drift by Jack London:

must sit in the middle instead of on the side; and finally, when we came back to the wharf, he ran the skiff in full tilt, shattering her nose and carrying away the mast-step. And yet he was a really truly sailor fresh from the vasty deep.

Which points my moral. A man can sail in the forecastles of big ships all his life and never know what real sailing is. From the time I was twelve, I listened to the lure of the sea. When I was fifteen I was captain and owner of an oyster-pirate sloop. By the time I was sixteen I was sailing in scow-schooners, fishing salmon with the Greeks up the Sacramento River, and serving as sailor on the Fish Patrol. And I was a good sailor, too, though all my