| The first excerpt represents the past or something you must release, and is drawn from An Old Maid by Honore de Balzac: manners, especially in Poland and Hungary, where--"
Here the chevalier stopped, fearing to slip into some allusion to his
personal happiness; he took out his snuff-box, and confided the rest
of his remarks to the princess, who had smiled upon him for thirty-six
years and more.
"That speech was rather a delicate one for Louis XV.," said du
Ronceret.
"But it was, I think, the Emperor Joseph who made it, and not Louis
XV.," remarked Mademoiselle Cormon, in a correcting tone.
"Mademoiselle," said the chevalier, observing the malicious glance
exchanged between the judge, the notary, and the recorder, "Madame du
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Man against the Sky by Edwin Arlington Robinson: With nothing on it for the flame to kill
Save one who moved and was alone up there
To loom before the chaos and the glare
As if he were the last god going home
Unto his last desire.
Dark, marvelous, and inscrutable he moved on
Till down the fiery distance he was gone, --
Like one of those eternal, remote things
That range across a man's imaginings
When a sure music fills him and he knows
What he may say thereafter to few men, --
|
The third excerpt represents the future or something you must embrace, and is drawn from The Crisis in Russia by Arthur Ransome: of government set up by that revolution, is logical and was to
be expected. I have illustrated this from resolutions, because
these give statements in words easily comparable with what
has come to pass. It would be equally easy to point to deeds
instead of words if we need more forcible though less
accurate illustrations.
Thus, at the time of the Moscow Congress the Soviets, then
Mensheviks, who were represented at the Congress (the
object of the Congress was to whip up support for the
Coalition Government) were against strikes of protest. The
Trades Unions took a point of view nearer that of
|