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Today's Stichomancy for David Geffen

The first excerpt represents the past or something you must release, and is drawn from Little Britain by Washington Irving:

churchyards, together with divers hints on the subject of patent-iron coffins. I have heard the question discussed in all its bearings as to the legality of prohibiting the latter on account of their durability. The feuds occasioned by these societies have happily died of late; but they were for a long time prevailing themes of controversy, the people of Little Britain being extremely solicitous of funereal honors and of lying comfortably in their graves.

Besides these two funeral societies there is a third of quite a different cast, which tends to throw the sunshine of good- humor over the whole neighborhood. It meets once a week at

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Journal of the Plague Year by Daniel Defoe:

them questions as they went along.

I need not mention what a horrid delusion this was, or what it tended to; but there was no remedy for it till the plague itself put an end to it all - and, I suppose, cleared the town of most of those calculators themselves. One mischief was, that if the poor people asked these mock astrologers whether there would be a plague or no, they all agreed in general to answer 'Yes', for that kept up their trade. And had the people not been kept in a fright about that, the wizards would presently have been rendered useless, and their craft had been at an end. But they always talked to them of such-and-such influences of the stars, of the conjunctions of such-and-such planets, which must


A Journal of the Plague Year
The third excerpt represents the future or something you must embrace, and is drawn from The Princess by Alfred Tennyson:

Whichever side be Victor, in the halloo Will topple to the trumpet down, and pass With all fair theories only made to gild A stormless summer.' 'Let the Princess judge Of that' she said: 'farewell, Sir--and to you. I shudder at the sequel, but I go.'

'Are you that Lady Psyche,' I rejoined, 'The fifth in line from that old Florian, Yet hangs his portrait in my father's hall (The gaunt old Baron with his beetle brow Sun-shaded in the heat of dusty fights)