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Today's Stichomancy for Dean Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

peace, the silence, the modest way of life in this family, that to an artist accustomed to render nature, there was something hopeless in any attempt to depict this scene, come upon by chance. The stranger was a young painter, who, seven years before, had gained the first prize for painting. He had now just come back from Rome. His soul, full-fed with poetry; his eyes, satiated with Raphael and Michael Angelo, thirsted for real nature after long dwelling in the pompous land where art has everywhere left something grandiose. Right or wrong, this was his personal feeling. His heart, which had long been a prey to the fire of Italian passion, craved one of those modest and meditative maidens whom in Rome he had unfortunately seen only in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

the verandah. In a moment of wakefulness he had heard the report of Hanson's rifle far out across the plain, and wondered what it might mean. Presently it had occurred to him that the man whom he considered in the light of a guest might have met with an accident on his way back to camp, so he had arisen and gone to his foreman's quarters where he had learned that Hanson had been there earlier in the evening but had departed several hours before. Returning from the foreman's quarters Bwana had noticed that the corral gate was open and further investigation revealed the fact that Meriem's pony was gone and also the one most often used by Baynes. Instantly Bwana assumed that the


The Son of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Robinson Crusoe by Daniel Defoe:

first to the bower, where was the chief of their country work, such as the keeping the goats, the planting the corn, &c.; and afterward they carried them to the habitation of the two Englishmen. Here they were set to work, though it was not much they had for them to do; and whether it was by negligence in guarding them, or that they thought the fellows could not mend themselves, I know not, but one of them ran away, and, taking to the woods, they could never hear of him any more. They had good reason to believe he got home again soon after in some other boats or canoes of savages who came on shore three or four weeks afterwards, and who, carrying on their revels as usual, went off in two days' time. This thought


Robinson Crusoe
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

intelligence, did not leave him henceforth. A little later I moved away from the rail to look at the compass with such a stealthy gait that the helmsman noticed it - and I could not help noticing the unusual roundness of his eyes. These are trifling instances, though it's to no commander's advantage to be suspected of ludicrous eccentricities. But I was also more seriously affected. There are to a seaman certain words, gestures, that should in given conditions come as naturally, as instinctively as the winking of a menaced eye. A certain order should spring on to his lips without thinking; a certain sign should get itself made, so to speak, without reflection. But all unconscious alertness had abandoned


'Twixt Land & Sea