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Today's Stichomancy for Denise Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Garden Party by Katherine Mansfield:

sea was so bright it made one's eyes ache to look at it. The shepherd drew a pipe, the bowl as small as an acorn, out of his breast pocket, fumbled for a chunk of speckled tobacco, pared off a few shavings and stuffed the bowl. He was a grave, fine-looking old man. As he lit up and the blue smoke wreathed his head, the dog, watching, looked proud of him.

"Baa! Baaa!" The sheep spread out into a fan. They were just clear of the summer colony before the first sleeper turned over and lifted a drowsy head; their cry sounded in the dreams of little children...who lifted their arms to drag down, to cuddle the darling little woolly lambs of sleep. Then the first inhabitant appeared; it was the Burnells' cat Florrie, sitting on the gatepost, far too early as usual, looking for their milk-

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Westward Ho! by Charles Kingsley:

she has been accustomed to those great camel sheep (llamas they call them) in Peru."

But Ayacanora's delight was a horse. The use of tame animals at all was a daily wonder to her; but that a horse could be ridden was the crowning miracle of all; and a horse she would ride, and after plaguing Amyas for one in vain (for he did not want to break her pretty neck), she proposed confidentially to Yeo to steal one, and foiled in that, went to the vicar and offered to barter all her finery for his broken-kneed pony. But the vicar was too honest to drive so good a bargain, and the matter ended, in Amyas buying her a jennet, which she learned in a fortnight to ride like a very

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Intentions by Oscar Wilde:

write he began to sing. Who would match the measures of COMUS with the measures of SAMSON AGONISTES, or of PARADISE LOST or REGAINED? When Milton became blind he composed, as every one should compose, with the voice purely, and so the pipe or reed of earlier days became that mighty many-stopped organ whose rich reverberant music has all the stateliness of Homeric verse, if it seeks not to have its swiftness, and is the one imperishable inheritance of English literature sweeping through all the ages, because above them, and abiding with us ever, being immortal in its form. Yes: writing has done much harm to writers. We must return to the voice. That must be our test, and perhaps then we shall be able to appreciate

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy:

pleased to hasten his long-desired return into England. And because they knew full well the royal exchequer was empty, Parliament ordered these noble gentlemen to carry with them a present of fifty thousand pieces of gold to the king, together with ten thousand to his brother of York, and five thousand to his brother of Gloucester. Nor was the City of London backwards in sending expressions of loyalty and tokens of homage and devotion; to evince which twenty valiant men and worthy citizens were despatched with messages of goodwill towards him, and presents in gold to the amount of twelve thousand pounds.

And presently Admiral Montagu arriving with his fleet upon the