| The first excerpt represents the past or something you must release, and is drawn from The Bride of Lammermoor by Walter Scott: herself desirous to break of her friendship with me; in a word, I
will never speak to her again. But if a gentleman shall ask me
the same question, I shall regard the incivility as equivalent to
an invitation to meet him in the Duke's Walk, and I expect that
he will rule himself accordingly."
A declaration so decisive admitted no commentary; and it was
soon after seen that Bucklaw had arisen from the bed of sickness
a sadder and a wiser man than he had hitherto shown himself. He
dismissed Craigengelt from his society, but not without such a
provision as, if well employed, might secure him against
indigence and against temptation.
 The Bride of Lammermoor |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Sylvie and Bruno by Lewis Carroll: went on again.
"But I know you didn't! You never do! You always walk with your chin
up--you're so dreadfully conceited. Well, let's see how many legs are
broken this time. Why, none of them, I declare! And what's the good
of having six legs, my dear, if you can only kick them all about in the
air when you tumble? Legs are meant to walk with, you know. Now don't
begin putting out your wings yet; I've more to say. Go to the frog
that lives behind that buttercup--give him my compliments--Sylvie's
compliments--can you say compliments'?"
The Beetle tried and, I suppose, succeeded.
"Yes, that's right. And tell him he's to give you some of that salve I
 Sylvie and Bruno |
The third excerpt represents the future or something you must embrace, and is drawn from The Voice of the City by O. Henry: from envy. By all the standards that you know he is
the most egregious and grandiloquent and gorgeous
fool in all the world. That's why you want to kill
him."
"Would you mind telling me who or what you think
I am?" asked the old man.
I laughed boisterously and then stopped suddenly,
for I remembered that it would not do to be seen so
hilarious in the company of nothing but a brick
wall.
"You are Jesse Holmes, the Fool-Killer," I said,
 The Voice of the City |