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Today's Stichomancy for Denzel Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Scarlet Letter by Nathaniel Hawthorne:

"Peace, Hester--peace!" replied the old man, with gloomy sternness -- "it is not granted me to pardon. I have no such power as thou tellest me of. My old faith, long forgotten, comes back to me, and explains all that we do, and all we suffer. By thy first step awry, thou didst plant the germ of evil; but since that moment it has all been a dark necessity. Ye that have wronged me are not sinful, save in a kind of typical illusion; neither am I fiend-like, who have snatched a fiend's office from his hands. It is our fate. Let the black flower blossom as it may! Now, go thy ways, and deal as thou wilt with yonder man. "


The Scarlet Letter
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

mind's eye to a pale phantasmagoria of indistinct steeples and dreamy skies. Perhaps at heart Mrs. Manstey was an artist; at all events she was sensible of many changes of color unnoticed by the average eye, and dear to her as the green of early spring was the black lattice of branches against a cold sulphur sky at the close of a snowy day. She enjoyed, also, the sunny thaws of March, when patches of earth showed through the snow, like ink- spots spreading on a sheet of white blotting-paper; and, better still, the haze of boughs, leafless but swollen, which replaced the clear-cut tracery of winter. She even watched with a certain interest the trail of smoke from a far-off factory chimney, and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Message by Honore de Balzac:

colored sash, and rose-colored ribbons in the pretty cap on her head; her chemisette was moulded so deliciously by her shoulders and the loveliest rounded contours, that the sight of her awakened an irresistible desire of possession in the depths of the heart. Her eyes were bright and dark and expressive, her movements graceful, her foot charming. An experienced man of pleasure would not have given her more than thirty years, her forehead was so girlish. She had all the most transient delicate detail of youth in her face. In character she seemed to me to resemble the Comtesse de Lignolles and the Marquise de B----, two feminine types always fresh in the memory of any young man who

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lost Continent by Edgar Rice Burroughs:

twentieth century Europe. My interest is keenest, perhaps, not so much in relation to known facts as to speculation upon the unknowable of the two centuries that have rolled by since human intercourse between the Western and Eastern Hemispheres ceased--the mystery of Europe's state following the termination of the Great War--provided, of course, that the war had been terminated.

From out of the meagerness of our censored histories we learned that for fifteen years after the cessation of diplomatic relations between the United States of North America and the belligerent nations of the Old World, news


Lost Continent